MovieChat Forums > Sunrise: A Song of Two Humans (1927) Discussion > Funny what lust does to a man..............

Funny what lust does to a man............


The hero, while "in lust" with the loose lady, becomes a hunched-back, foot-dragging, almost-drooling clone of the Frankenstein monster, complete with black-rimmed eyes; I'm guessing that this is to teach one of many lessons and to get the producer's point across about what sin will do to a person. Notice that the wife is almost angelic in looks and demeanor, the bad girl is brunette with heavily-made up eyes and lots of lipstick, lots of attitude.

Also, how close is the countryside to The City? When the wife is running from hubby, a funicular/trolley just happens to be rounding the path towards The City (she must have run quite a ways!) with a uniformed conductor, no less.

While my husband laughed, I reminded him that over-acting was a must during the silent era in order to get emotions and moods across to the audience. He didn't care--he thought it was hilarious.

BTW, I hope we weren't to imagine that the husband killed the faithful dog! After all, he was certainly in a killing mood.

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I thought the dog jumping off the dock into the water and swimming out to the boat was just a wonderful touch. And true to form, the dog shook off his wet fur, yet the woman didn't seem to mind too much. It was really a touching scene, especially if you love dogs.




And I thought, "My God, the genius of that, the genius, the will to do that." – Apocalypse Now

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No, The Man's appearance was not done to show viewers what sin can do to someone. The Man appears to be tortured by his reluctant decision to murder his wife. At times it seems to be grating on his conscience, hence the sleeplessness, and his "black-rimmed eyes". Remember before he fell asleep, river water was superimposed over his face? That's how much he was thinking about the plot.

George O'Brien wasn't nearly dragging his feet on his own (although he probably could have), the director put lead weights in his boot, and instructed him that he need walk like a "monster" or golem. To me, The Man's gait seems to reflect some type of inner struggle. Yes, he reluctantly agreed to kill his wife, but that doesn't mean he was already a natural born psychopath, void of conscience.

Oh, a tidbit of information I found out one day is that George O'Briens slow, lumbering walk helped influenced 1931's Frankenstein!

It's impossible to say how far their country home was from the city. I don't know what it matters though. And, truth be told, I have yet to see a public transportation employee behind the "wheel" without a uniform on.

You're right about the overacting. It was a must during the silent era. Actors could not use their voice. And the clichéd mannerisms today's movies are filled with didn't exist way back then. But there are many other great silent movies to laugh at. Like The Crowd. Oh the overacting in that movie is funny as heck, particularly when the daughter is hit by a truck, and then later dies! Metropolis, one of cinema's timeless classic is also full of hilarious over-acting. Don't forget The Big Parade, Wings, or Beyond The Rocks. Comedy at it's finest.

Let's not forget the movie was made in 1927, not 2007. The world of cinema was much different back then. Also, there's plenty of literature out there to help you understand all the elements found within Sunrise, like the German expressionism, visuals, and the acting. Really fascinating stuff to read.

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Regarding the trolley: there were many interurban lines that actually ran mini-trains or streetcars way out into the countryside to bring people into the city. Their town could have been 20 or 30 miles away from the city, which would have been a significant seperation between communities in 1927, yet still be accessible by the interurban.

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