I'd go with L'Atalante - definitely. I think the acting for one is better in it. As fantastic as Janet Gaynor is in Sunrise, I thought George O'Brien totally overdid it - all that hunched over "evil" acting was distinctly comic; and I understand the acting style of the age and what was expected and what worked for the audiences of the 20s, but for my tastes it has dated the film considerably. Also the way the plot is constructed is pretty silly as well - the actions and behaviour of the husband and wife are psychologically unconvincing. Again, I understand how that wouldn't be a big issue for the contemporary audience of the film quite used to stage melodrama and films that didn't depend on realism - but L'Atalante feels realer, funnier, and sadder without resorting to extremes of melodrama. I also preferred the visual poetry in Vigo's film. Sunrise is a classic and an important film in cinema, no doubt, but I personally think L'Atlante is a masterpiece, and had Vigo lived he would have proved one of the greatest of all early directors given the quality of his first and only feature.
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