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'The Paradine Case' and Chicago Censors . . .


The eleven reels of film so designated The Paradine Case were duly examined on Tuesday, May 18, 1948, by the ever watchful inspectors of the stern Chicago Film Review Board (which held sway from 1913-1984; no film for commercial use could be shown within the legal boundaries of the city of Chicago unless it had a permit from the CFRB---no exceptions---anyone in defiance would be subject to fines and penalties).

Their ruling was severe, the decision: 5-0 for the dreaded, "Adult" permit.

The reason for such a drastic ruling is given on the inspection card, and reads thusly: "This picture is given an Adult Permit---because it features murder and immorality."

Of course, it could've been worse---much worse---the board could have rendered its most feared edict: "Rejected" At once barring a film from being shown in the city's confines, and forbidden to play in the lucrative Chicago theatre marketplace. Appeal was possible, and with certain modifications, cuts, additions, or whatever work was deemed necessary, the horrible stigma of "Rejected" could be upgraded to "Adult" (also feared, because such an attachment to a film would usually bring down viewership, and, as such, a much lower take at the box office---all film distributors shuddered at the verdict of "Rejected"; and most also shuddered at an "Adult" ruling).

Several previous films directed by Alfred Hitchcock had also run into problems---but nothing too serious: for example, Jamaica Inn was also ruled "Adult," but after 1 cut was made was given "General." It must be noted, however, that the Board treated Hitchcock, generally, very well, his films were routinely---one could even say "rubber-stamped"---"General." Rarely did a Hitchcock film cause major problems. What problems there may have been were usually minor, and taken care of easily. However, of his films that followed Paradine, only one ran into serious trouble: in the same year,1948, his film Rope was---one can hear the earth tremble---"Rejected." It could not be shown within the limits of Chicago. As far as I am aware, this was the only Hitchcock film ever to suffer such a cruel fate---but not for long. The card notes that on the verbal orders of the Police Commissioner the original verdict was overturned, and a more kindly---if one could consider such a ruling such---"Adult" permit was issued. The original ruling for "Rejected" was 4-0. Thanks to the more benevolent Commissioner, Rope opened at the State Lake theatre on Thursday, September 30, 1948, and had a standard two-week Loop run (the verdict against Rope was not overturned by the Board until Sept. 9, 1983, when by a vote of 6-0 a "General" permit was issued). After 1948 no Hitchcock film had problems with the Board---just stamp 'em "General."

Now, back to The Paradine Case. No further action, as far as can be discerned from the card, took place until Friday, July 9. A notation reads "Made General by Com. J. Prendergast with 4 cuts" (there is no date next to this notation, but I'm assuming it was the 9th of July, when the permit was issued---but it could've been ordered earlier). The Chicago Police commissioner had the authority to overrule a decision made by the board. Why over seven weeks? There is no way to determine what machinations took place behind the scenes between the Board, the Selznick Releasing Organization, and the Police Commissioner. Obviously the Selznick group wanted to be rid of that loathsome "Adult" designation, and go for a more favorable "General" permit. As such, yes, a decision was made to grant a "General" permit [no. A6246, to the Selznik Rel. Org.], but the price would be the four cuts that were now ordered:

What was cut? The following lines of dialogue were excised from the film:

Reel #2 Cut dialogue

Lawyer: "There were others?"
Mrs. Paradine: "Of course there were others."

Reel #6 Cut dialogue

Lawyer: "Are you implying that you engaged in adulterous relationship with Mrs. Paradine?"
Valet: "Yes."

4 cuts
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With permit in hand, the film could now precede, from that moment on, with its opening. The Paradine Case opened in Chicago at the Woods Theatre on Monday, July 12, 1948, and played in the Loop for five weeks. (This same theatre would also play host to Hitchcock's Vertigo, in 1958, and to Psycho, in 1960---both of those films also had five week Loop runs.)

The only thing unusual was the odd Monday (non-holiday) opening. Though not unheard of, Monday was a day almost never chosen for the opening of a first- run film. Perhaps time was pressing, they obtained the highly desired "General" classification on Friday, and went ahead with a Monday showing.

The inspection card reveals no further activity on this film until Wednesday, September 8, when application was made for 8 more permits (which, of course, were issued). The second, and final, date shown on the card is for Tuesday, September 28, when a further 2 permits were granted (obviously all these permits were needed when the movie went out to the "nabes"). Afterward, no further activity concerning this movie was noted.

General information taken from the card:

General
ADULT PERMIT (Printed at top of card, however, Adult was later crossed out and General was written above)
Name of Manufacturer: Selznick
Title of Film: Paradine Case, (The)
Date Inspected: May 18, 1948
No. of feet: 11,000 (11 reels)
Synopsis: Murder solved
Cuts ordered: (None made under the original "Adult" ruling; however, when made "General", four cuts were now ordered, as mentioned above.)

[Note: the number 115 is written in the upper righthand corner of the card---it's not clear what this signifies, but perhaps it means that this card represents the 115 film inspected for the year by the Board---perhaps?]

Okay---bear with me for the moment---to go back to that over seven week gap, from May 18th to July 9th---what was going on? Again, it's impossible to know---as there is no supporting correspondence attached to the card to base an opinion on. Guess---Selznick wanted a "General" ruling with no cuts---period! That wasn't to be, so things must've been thrashed out, maybe with Selznick himself getting directly involved, and all sides agreed that a "General" permit would be granted, but with 4 cuts made (which Selznick must've wanted to avoid). Alas, it had a good run in Chicago.
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This is very interesting. Thanks for posting it. This explains why some of the parts in the adaptation by Alma Reville and James Bridie were removed.

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Thanks for giving us this very important information. I am truly shocked to learn that Chicago still had a censor board as late at 1948 and that it was removing lines of dialogue such as you mention. Those lines, of course, were removed from the Chicago showing, but they remain in the video version of the film I have. I must double check "Variety" to see if it has a story about this material being deleted from the film. Thanks again.

Do you have any information on the film's running time during its 1948 Chicago run? My research shows that the general release version of "Case" put out in 1948 ran at 125 minutes and included a scene in a small art gallery in which Barrymore, Peck, Laughton, and an unidentified actor playing an artist named De Lindstrom appear. The text of this deleted scene can be found at http://stevenderosa.com/writingwithhitchcock/paradinecase.html. Please feel free to send me a reply directly at fordraff@verizon.net.

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. . . Fordraff . . . what was the running time in Great Britain? I don't know what the running time for the Chicago version was, but 11 reels were examined, in otherwords, 11 thousand feet---I'm assuming it would the the hacked 125-minute version.

Forget about that 132-minute version . . . where is the original 3-hour version Hitchcock completed and turned over to Selznick? That's the version I want to see.

Yes, the Chicago film review board was strict . . . believe me . . . severely so . . . but I'm not complaining . . . they kept the movies nice and clean!

I'm aware of the de Rosa site, and am grateful, as you are, that he included that portion of the screenplay concerning the art gallery scene. It's amazing de Rosa himself hasn't been able to find something---especially the lost footage. That precious footage has got to be out there somewhere---maybe one of his descendants has it---did Selznick have children? Somebody does!

Ford . . . I'm going to later re-edit my original post above to include new info---just some additional info . . .

Sony---thanks for your comments . . .

also, thanks Fordraff for the Douglas Pye article, I had no idea it was available. Thanks, again . . .

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REVISION:
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The following information, after a period of intense research, is now available.

This business of on what date did the Police Commissioner okay the film for a "General" permit, can now be easier to discern.

To recapitulate: On May 18, 1948 the Chicago Film Review Board ruled that the motion picture, The Paradine Case, was to be given "Adult" status. The next date on the card was Friday, July 9th, when one permit was issued; that permit, by order of the Police Commissioner, was now changed to "General" with four cuts (no cuts, under "Adult"; no date was given next to the notation, so we do not really know when the top law enforcement officer made his decision).

When did the Chicago Police Commissioner make his ruling? Can we tighten things up a bit and uncover when that critically important decision was made?

Yes, at least a bit. The first ads for the film were placed on Sunday, July 4, 1948. Within the body of the ad, was the following notation:

Adults Only . . . Sunday, July 11th at Midnight . . . [small photo of Gregory Peck] I'll Tell You About Mrs. Paradine: "I intend that the whole world shall see her as I do."--Gregory Peck . . . "The Paradine Case" . . . Last 8 Days, Ingrid Bergman, Charles Boyer, "Arch de Triumph."

Similar ads, with photos of the various stars of the film giving quotes, appeared each day as the week progressed. One important change, however, had taken place by Friday, July 9th, when Ann Todd was given her turn:

Sunday At Midnight . . . [small photo of Miss Todd] I'll Tell you About Mrs. Paradine: "I hope she goes free . . . . free to kill . . . or to take other wives' husbands."---Ann Todd.

No "Adults Only" stigma. Okay, so we tighten things up a bit---the decision by the Commissioner must've been taken on Thursday, July 8th, to change the film's designation from the odious "Adult" (with no cuts), to the more agreeable, and profitable, "General" (with four cuts). Possibly late Wednesday, though before they could effect the ad for Thursday (Charles Coburn's day). Earlier? Not likely, the Selznick group would get rid of the nasty "Adults" label rapidly, so as not to diminish the box-office take. As such, I believe the decison to grant the "General" permit was issued on Thursday, July 8th.

Alas, what took so long? The film was inspected on May 18th . . . okay, now the first ads appeared on July 4th, announcing the film's opening on Sunday, July 11th (at midnight---one could say really Monday, July 12th). Why so long?---again, I believe that Selznick, and his releasing organization, attempted to go for a "General" permit with no cuts! They couldn't get that, so they went ahead to open the film with the stigma of "Adults Only"---knowing that the box-office take would go down. However, something happened in the background---which can never really be known with surety---and, at some point, Selznick must've agreed to the four cuts, immediately dropped the repulsive "Adults Only" label in the ad for Friday, and preceded with the odd Sunday at midnight opening (a very unusual circumstance).

And I might add a very unsual history for a first-run film!
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Ads for the film, The Paradine Case that appeared in Chicago newspapers the week of Sunday, July 4th through Friday, July 9th: [Sunday's and Friday's ads have already been given]:

Monday, July 5th:
[small photo of Ethel Barrymore] I'll Tell You About Mrs. Paradine: "I do pity her! Does anyone need pity more than the woman---who has sinned."

Tuesday, July 6th
[Louis Jourdan] I'll Tell You About Mrs. Paradine: "She is bad, ab to the bone. If ever there was an evil woman she is one."

Wednesday, July 7th:

[Charles Laughton] I'll Tell You About Mrs. Paradine: "I'll hang her if I must but man to man, she's too lovely to destroy."

Thursday, July 8th:

[Charles Coburn] I'll Tell You About Mrs. Paradine: "Fascinating, fascinating, she certainly brings my pulse up a beat or two."
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Thanks for this important and detailed update!

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According to the BBFC web site, "The Paradine Case" was classified "A" (for Adults) on 23/Dec/1948. No cuts to the film were required to gain the classification and the film was submitted by the British Lion Film Corp Ltd.

The running time is listed as 114 minutes, 17 seconds (10285 feet).

There's more details about BBFC rulings on Hitchcock films here: http://www.hitchcockwiki.com/hitchcock/wiki/BBFC.

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That's strange, because I thought Original theater release was 132 minutes. I know that FOX tried to release 132 minutes on Laserdisc.

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Thank you for this information. This classification would have been given just before the film opened in London in January 1949. Sadly though, "Case" had been cut by then to 114 minutes. That makes me wonder about the first national U.S. release; I've always assumed that first US release ran 125 minutes and the running times shown at various theatres showing the film during its first national release tend to support that 125-minute running time. I'd really like to hear from someone who knows when the film was cut to 114 minutes.

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I've got three different European DVD releases and they're all are around 109 minutes. Taking into account PAL speedup of 6%, that would be a running time of around 114 minutes at 24fps.

There is a Italian DVD of the film (released by 01Distribution in 2005) which has a reported running time of 116 minutes. Either it's a straight NTSC conversion (maybe from the Anchor Bay transfer), or it's a longer 121 minute cut of the film.

http://www.hitchcockwiki.com/page/31

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Hi,
Here is the italian version.

http://www.hitchcockwiki.com/hitchcock/wiki/Il_Caso_Paradine_%281947%29_-_01Distribution_%28Italy%2C_2005%29

It says 116 minutes. There is a picture of Gregory Peck (Anthony Keane) and Charles Coburn (Simon Flaquer) talking at the court. This is a missing scene from the film.

So this Italian version may have this missing scene. But I am not sure.

Here is a VHS version that says it has 125 minutes.

http://product.half.ebay.com/The-Paradine-Case_W0QQprZ3117599QQitemZ340263924785QQtgZvidetails

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