The carrousel scene


Is all kinds of lame. First, it's just way too over-the-top compared to the rest of the movie. What's the point of Farley jumping on the carrousel to fight with Robert Walker? It's also far from realistic. Why would the carrousel be able to go so fast Farley's legs are flying up in the air? But what's worse is that cops just shoot at a group of innocent people for...what exactly? Also, it seems obvious people got seriously hurt or even died when he carrousel got destroyed. Why should we even care about Farley anymore???

Another thing, why would the lighter exonerate Farley? Who's to say he didn't hire Walker to murder his wife, after which Walker tried to blackmail him? Even when he lay dying he never confessed his guilt. It's ridiculous the cops so easily believed his claim just because of the lighter.

reply

bruno mentioned that the lighter was left at the crime scene by guy (he tells this to anne). the fact he has the lighter in his possession confirms he was lying about guy and he was going to plant the lighter at the scene of the crime. the amusement worker also knew that bruno was at the park at the night of the murder. the speed of the carousel was an exaggeration for effect by hitchcock. the cops thought guy was the murderer and he was trying to escape and shot at him. this happen a lot in older film noir type movies. not very original.

reply

Like I said, who says Bruno hadn't been hired by Guy to kill his wife and he was now blackmailing him by threatening to plant the lighter? Exonerating Guy on the spot was absurd.

"the cops thought guy was the murderer and he was trying to escape"

Escape by jumping onto a carrousel? What was the immediate danger that the cop had to draw his gun?

The carnival worker remembering Bruno was ridiculous, especially his conclusion that he was the killer. He was not acting THAT suspiciously.

reply

a hired killer would have stayed far away from guy and anne and anne's family. he wouldn't insinuate himself into guy and anne's life. a hired killer would certainly would have thrown away the lighter and would not have revealed key info to anne. bruno was a psychopath who couldn't help himself or shut up. he wasn't acting like a blackmailer.

reply

Because the detectives at the scene had all that information???

Bruno was actually more or less a "hired killer" and he still didn't stay away from Guy and Anne, even as detectives were investigating Guy and Bruno was acting hella suspicious. And why would detectives even believe their suspect's fiancée?

It's also possible Bruno was simply a witness of the crime who found the lighter and had been stalking Guy in order to blackmail him. Enough theories that need to be investigated first, before Guy can be exonerated.

reply

they didn't believe anne until they found the lighter in bruno's possession (and the amusement park worker's identification).

reply

When did Anne tell the police about the lighter? And why would they even find her story credible?

Why would they believe the carnival worker, while they have no idea what he even saw? (And we as the viewer actually know he's a crappy witness who saw zilch.)

reply

I assume she would have told the police. She was a well regarded daughter of a respected Senator. She would have been taken seriously in 1951. You also have to assume the police were doing off screen work like looking into Guy's finances to see if he was making large withdrawals.

reply

The movie very much implies they kept that information to themselves. Guy wanted to retrieve the lighter before the police could, so no point in telling. And a woman protecting her man is nothing new.

Just because it's possible Bruno had been trying to blackmail Guy, doesn't mean he had received any money from him. And if Guy had hired a hitman, he probably would've made sure no large withdrawals would've shown up in his finances.

reply

My theory about that scene is that Hitchcock wanted to rip off the theme park scene from Woman on the Run and couldn't exactly top it since you can't pick a better ride than a roller coaster.

reply

That's possible. But I think a rather subtle thriller like this didn't need a scene like that.

reply

You're kind of missing the point, which is not your fault, since it seems as though you didn't see the movie that I'm talking about.

Woman on the Run was also a subtle thriller, and part of what made it subtle was the climax. Instead of going the usual cliched film noir route (chase scene or gunplay), the climax took place on a roller coaster ride, with the heroine unwittingly sharing the same ride with the villain and not knowing it. If you don't want to see the movie, for a point of reference, it's almost exactly like the roller coaster scene in Fatal Attraction, where the little girl that Alex Forrest takes to the theme park is sitting there enjoying the ride but completely oblivious that the woman she's sitting next to is dangerous. (It's so similar, that I'm fairly sure that Adrian Lyne also ripped off Woman on the Run for his movie.)

If Hitchcock had copied that theme park scene exactly to the letter, it would've perfectly matched the rest of Strangers on a Train, including the subtlety that you're talking about. But he couldn't have the climax play out on a roller coaster ride, because the plagiarism would've been blatant. So, he clumsily applied the same concept to a different ride to kind of cover his tracks, but it didn't work. It just came across as ridiculous and over the top.

reply

No, I haven't seen that particular movie. I assumed your point was that Hitchcock went overboard trying to outdo the finale of a different movie.

My point is simply that, whether or not it was inspired by another movie, Hitchcock should've realized the ultimate finale was just too over-the-top for a movie like this. There are just too many crazy things happening at once.

reply

Maybe I'm not explaining myself well, because again, you're not seeming to understand what I'm saying.

Have you ever heard of the phrase, "unintentionally hilarious", especially when applied to a scene that clearly was intended to be serious but comes across as silly, overwrought, etc. because it misfired? The carousel scene is unintentionally over the top. In other words, Hitchcock had clearly meant that scene to be as "subtle" as the roller coaster scene in Woman on the Run. But it comes across as over the top to us, because he didn't realize that switching the ride out with a carousel didn't work.

If you're curious and have some time to watch the movie, here is Woman on the Run movie in full: https://www.youtube.com/watch?v=tLtmR7BvIeY&t=1s.

reply

No, I understood your explanation just fine, I just find it VERY hard to believe Hitchcock thought the carrousel finale was subtle. Replace the carrousel with a rollercoaster and there's still a ton of ridiculous stuff happening.

reply

I understand what you're saying. But Hitchcock was not a god. He had his blind spots.

Did you ever see Torn Curtain? In that movie, he spent several minutes showing a guy getting killed, and to a ridiculous extent as to be almost comical. According to Hitchcock, he was doing this in all seriousness (to show how hard it is to kill a human being), but it just came across as grotesque and overwrought.

reply

No, I haven't seen that movie and I'm kind of hesitant now after your description.😬

reply

here's the ending. obviously, the police chief knew about the lighter and he is the one who discovers it in bruno's hand. i assume anne contacted them when guy was on the run. bruno even lies that the lighter is on the island.

https://www.youtube.com/watch?v=jVxyX7FcS4Q&ab_channel=Movieclips

reply

I think you're a bit confused. Anne and Guy did NOT want the police to know that Bruno was going to plant the lighter on the island. Guy wanted to retreive it himself. The detective doesn't even know about it until Guy tells him Bruno has his lighter. And sure, he finds a lighter in Bruno's hand. No way is that enough to exonerate him on the spot.

reply

i will have to watch this again.

reply