MovieChat Forums > Plein soleil (1960) Discussion > Who do you think was the best Ripley?

Who do you think was the best Ripley?


Patricia Highsmith's character of Tom Ripley has now been played by five VERY, VERY different actors:

By Alain Delon in "Purple Noon", by Dennis Hopper in "The American Friend", by Matt Damon in "The Talented Mr. Ripley", by John Malkovich in "Ripley's Game" and now by Barry Pepper in "Ripley Under Ground".

I've just finished reading my way through Highsmith's "Ripliad", but I've only had the opportunity to see two of the films, "The Talented Mr. Ripley" and "Ripley's Game"...

From watching those, I think that Malkovich was much more like the character as Highsmith wrote him in the books than Damon was.

"The Talented Mr. Ripley" script changed the character too much. In that film Ripley was this nervous, angsty, homosexual who commits a few impulsive crimes of passion and is forever wracked with guilt over his actions.

Malkovich was much more evil in "Ripley's Game"... a suave, cultured, confident heterosexual sociopath who thinks his crimes through meticulously and sees the people around him as mere pawns to be manipulated for his own sick amusement.

It's funny, but I find the character of Ripley more interesting and charismatic, the more evil he is. When Anthony Minghella tried to make him more sympathetic in "The Talented Mr. Ripley" - I liked him a lot LESS.

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[deleted]

I've seen all those movies, and concerning those that are based on the first book (The Talented Mr. Ripley and Purple Noon), I must say that I prefer Dammon.

And that's not that I consider him a better actor than Alain Delon. (no way)It's simply because I think that Delon is too beautiful for the part. He is even more beautiful than Dickie (Phillipe in Purple Noon), while the Ripley in the book wears glasses and feels a little bit cast away, solitary and sad.
And Dickie is this gorgeous and vivid guy who facinates him from the very begginning.

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I totally agree with the first post.

I don't care that Delon is beatutiful, his acting gives the spirit of the character.

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I also think Delon was way too beautiful to play Ripley. But his acting was very solid and the character became believable.
I like Damon's Ripley, even though they made him gayer than he was in the novel.
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It is funny that you didn't notice that there is a very clear homosexual subtext in "Ripley's Game". Why do you think Ripley asks his wife to turn over in bed? Why do you think he is shown as a man who can sew and cook? Why do you think his friend Reeves had a man sleeping in his bed?

Patricia Highsmith herself said: "MURDER IS A KIND OF MAKING LOVE, A KIND OF POSESSING". If you equate murder to sex in this movie, you will understand what it is really about.

Billy

P.S. I agree that Ripley's Game is by far the best Ripley movie.

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Certainly, the implications are there - but they are presented with more subtlety than in Minghella's film, and can be interpreted in a number of different ways... which I think is truer to the ambiguity of Highsmith's books.

Highsmith herself said in interviews that Ripley was straight and that people just thought he was gay cause of his effeminate mannerisms and the fact that he "appreciates beauty" even in other men.

My own initial take on Ripley's sexuality from reading the novels was that he was asexual... sex just doesn't interest him, because crime and art are the greatest passions in his life. But I can see how people can interpret that as signs of repressed homosexuality and how many people would be sceptical of Highsmith's own comments on her character's sexuality, considering the less tolerant society she grew up in.

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Now that I've seen all of the first four Ripley movies and I've reread a couple of the novels, my opinion has changed somewhat.

Before I had even read the novels, I had read an interview with Patricia Highsmith in which she denied that there was a homosexual subtext to the Ripley novels and said that Ripley was heterosexual. At the time, I was largely ignorant of Highsmith's background and the culture she grew up in... so I was inclined to take her on her word, and this clouded my reading of the books somewhat... it's why I wasn't really thinking of the homosexual subtext the first time I read the books. I see it now, and am more sceptical of Highsmith's comments about her own work in general.

Also, the second time I read the books I became more aware of the changes (some subtle and some huge) that occur to Ripley's character over the course of the books... and taking this into account, it makes sense that actors and filmmakers have interpreted the character in such radically different ways.

Ripley is a needy and insecure neurotic in the first book - and Matt Damon conveys this very well. The problem with Matt Damon's Ripley is not his lack of self-confidence, or even that writer/director Anthony Minghella has taken the homo-erotic subtext and made it explicit.... no, the problem is that "The Talented Mr. Ripley" makes Ripley less culpable... the first killing is committed by accident and in self defence, the subsequent ones in order to cover up the first.

However, this more sensitive Ripley is quite a compelling creation in it's own right... as is Dennis Hopper's befuddled, drugged-out cowboy portrayal. Hopper's Ripley is a lost and bewildered outsider, a walking anachronism... and it's not hard to imagine this washed out wanderer as the grown up version of Damon's Ripley.

John Malkovich does seem like such a pulpish, comic-book villain in comparison... but I find what his performance lacks in depth he makes up for with screen presence.

Alain Delon, despite being very good looking and very French, strikes me as the best Ripley so far... his performance is a nice, even mixture of geeky insecurity and cold, calculating malice... he tries to capture both sides of Ripley's character whereas the other actors lean heavily on one or the other.

It must be said, that all of the actors have brought something of their own personality to the role, and having seen Delon and Hopper in action, I'm more curious than ever to see what Barry Pepper does with the part in the upcoming "Ripley Under Ground".

So my verdict is:


BEST PORTRAYAL OF RIPLEY
Alain Delon in "Purple Noon"

MOST GOOD LOOKING AND GOOD SOUNDING RIPLEY FILM
"The Talented Mr. Ripley"
(cinematography, sets n' costumes are all awesome and the jazz coundtrack is finger clickin' good)

BEST WRITTEN RIPEY FILM
"Ripley's Game"
(sharp dialogue, full of quotable gems... and has the most focused narrative of them all... the others, especially "The American Friend" contain a lot more unneccessary scenes that don't further the plot or characters)

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totally agree with u benjamin.
i only read ripley's game. and i didn't understand or see that ripley was gay. thats why anhotny minghella version doesnt match with the book but talented mr ripley was the most beautifull ripley film in music and photograph...
i didnt see purple noon. i dont know how was delon -.-
i saw a plein solei it was excelent movie.
one question
a plein solei and the talented mr. ripley was the same story.. but wich was the most (faithfull??) (true) to the book?


sorry for my english -.-


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1-"Purple noon" is the English title for "Plein soleil": It's the same movie. So, you should know how was Alain Delon in it.

2-I'd say without a doubt that "Plein soleil" is much more faithful to the original novel than the awful "The talented Mr. Ripley".

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I think Alain Delon was the best Ripley, but it's hard not to like John Malkovich's version too...Love them both. Too bad not more people have seen "Purple Noon" -- it was excellent.

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those 2 are the best. agree.


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Well I have seen three of the films so far- Talented Mr Ripley, Plein Soleil, and Ripley's Game.

I hated Ripley's Game, I thought it was a cheap, nasty film. Can't stand Ray Winstone, Malkovitch was repellent and chewed the scenery, and it had no production values whatsoever. I mean some of the locations were gorgeous but still it looked like it was made for TV in the eighties.

Plein Soleil I sort of liked, but found it too pleased with itself- all those lingering shots of eyes and food and impressionistic stuff just irritates me. It was beautiful, but being French and sixties, the story isn't as solid.

I really loved The Talented Mr Ripley though. There was so much more to it. It sounded great, looked great and really expensive, the actors seemed to relish their roles and I thought Matt Damon was so superb in his vulnerability and creepiness. The story was told excellently and it just thrilled me. Which is what set me on this path.

Well, The American Friend is next on my list, though I don't think I'll like it. Ripley Underground I can't seem to get hold of.

How interesting though, to be able to see so many so different takes on the same character.

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Yeah, so it turns out I was right. I fell asleep three times through The American Friend. I'm not one to generally give up on a film, but I'm afraid I had to. Wim Wenders has only flashes of brilliance, and he's made some terrible nonsense.

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it's so difficult to rank the different ripley characters, but when one analyzes each version of ripley strictly from a character depth perspective, it's hard not to see how matt damon incarnation doesn't rise to the top. while no one classifies any of the film versions of ripley as two-dimensional, minghella's version not only gave us the before-and-after of ripley, but also touched on psychological complexities that the other films didn't even approach. and from the perspective of great performances, matt damon played the hell out of the role he got handed....

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Haven't seen Hopper or Pepper, but I'd rank the others...

1. DELON




2. MALKOVICH
3. DAMON

"Ripley's Game" sucked (although I liked Malkovich), "The Talented Mr. Ripley" was decent, and "Purple Noon" rules.

"I did cramps the way Meryl Streep did accents" - Calliope (Middlesex)

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I can't seem to find Ripley Underground, either, though I'd like to. I've read all the books. I wonder if they'll ever make a Boy Who Followed Ripley....

To answer the question, I'd have to say Malkovich, followed very, very closely by Delon. Delon was definitely much easier on the eyes. But Malkovich is so perfectly nails the cold, psychopathic, vicious characters.

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Ripley Under Ground is very hard to get hold of. I had to get a version that came from Poland!

Having just watched Plein Soleil, I'm going to have to say Delon. He just looks so much the part and is such a cold ruthless murderer. His portrayal of Ripley's character is somthing close to what I envisaged when reading the book, although maybe not quite so self-confident.

Malkovich - great performace and so many terrific one-liners as a previous poster said. Probably my favourite Ripley film, just ahead of Plein Soleil.

Next would be Damon. Quite a long way from how I see Ripley but a very creepy performance nonetheless. Overall I wasn't hugely impressed with the film - clearly had far to much of the Hollywood treatment.

I rather liked Barry Pepper although Ripley Under ground overall whilst enjoyable is a bit light-wieght compared to the other films. It doesn't seem to take itself too seriously.

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I was quite blown away by Malkovitch's portrayal of Ripley in Ripley's Game, although I was more touched by Dougray Scott's performance that was - although less sensational and lower keyed - so nuanced and subtle, that it cut away a bit from Malkovitch.

Having said that: I always found that Delon's beauty and apparent innocence added a very particular dimension to his Ripley and the amount of evil this character is capable of, making that one the creepiest, scariest Ripley ever.

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Delon is, in my opinion, by far the best, and Plein Soleil the most stylish and interesting. Malkovitch is good, but creepy, as is his wont. I feel like you look at him and think, "murderer," and he really wouldn't get away with anything if bodies starting dropping within a fifty mile viscinity. Hopper's is an interesting interpretation, limited by Hopper and the narco haze he was obviously under.

But Delon, you just want to give him a pass, you want to believe he can get away with it all, he's a kind of beautiful animal that could seduce anybody, and you believe it...Also, you really don't have any idea what he's going to do next, where Damon is a much better Jason Bourne, because he's consistent and pre-programmed. Ripley calls for danger, thought and action, feminine and masculine, and Delon trumps them all.

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