Like you, a few years ago, I searched high and wide for the lyrics to Samba Saravah on the net and couldn't find them. I finally tracked down an email address for a record company in France connected to Pierre Barouh, and wrote asking if anyone could help me. I got a nice note back from someone (not Barouh) who, I think, probably just listened to the song 50 times for me and wrote down what he could decipher. The lyrics posted by Mat-37 above are almost identical to the ones I received. But I also have the first vocal section:
"Faire une Samba sans tristesse, c’est aimer une femme qui ne serait que belle.
Ce sont les propres paroles de Vinicius de Moraès, poète et diplomat, auteur de cette chanson
et comme il a dit lui même, le blanc le plus noir du Brésil.
Moi qui suis peut être le français le plus brésilien de France
J’aimerais vous parler de mon amour de la Samba comme un amoureux
qui n’osant pas parler à celle qu’il aime, en parlerai à tous ceux qu’il rencontre..."
Roughly translated by me (an English Canadian), it says "to make a samba without sadness is to love a woman who's only beautiful. These are the words of Vinicius de Moraes, poet and diplomat, author of this song, and as he himself has said, the 'blackest white person in Brazil'. As probably the most Brazilian French person in France, I want to tell you of my love for the samba, like a lover who doesn't dare to speak to the one he loves, but will speak to everyone he meets..."
The next spoken section is a tribute to all the Brazilian samba legends, including Baden Powell and Vinicius de Moraes, who wrote the original Samba da Bencao. Also mentioned are Joao Gilberto, Antonio Carlos Jobim and Dolores Durand. Sorry I don't have that portion (I guess mon ami got bored transcribing!)
By the way, I completely disagree with Mat-37 that the movie is no good. It may be a bit slow for today's attention spans, but it's still a great film to look at, the acting was terrific, the music outstanding, and it's a fine example of French cinema of the 1960's! Salut...
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