Should've been called 'Exposition of the Planet of the Apes'
I'm doing a bit of a Planet of the Apes retrospective out of the monumental hype I've got going for "Dawn" this July. UP until this week, I'd only seen "Rise" and the horrific Tim Burton remake. (yuck) I found the 1968 film to be a pretty engrossing and thought provoking piece of sci-fi, even if I knew the twist ending going in. I also liked "Beneath" quite a bit, and had they dropped the far-fetched telekinesis stuff it would've been the perfect piece of Cold War Commentary. I appreciate both films' mix of adventure with unapologetic post-apocalyptic bleakness; the perfect tone in my opinion.
Then I just finished this one... HUGE step down for me. I hate fish out of water stories anyway, so I went in fearing this would be the "Voyage Home" of Apes movies. Turns out it was more of a Terminator 3 type deal. Literally half the dialogue in this was Zira and Cornelius explaining the franchise's backstory, and the humans reciting info we could already infer easily enough. It was like the writers wanted to sound smart and philosophical to distract viewers from major plot threads just being completely skimmed over (how they fixed Taylor's ship, humans reacting to their apocalyptic future being foretold?).
I'd have liked this a lot more if it had been a two-sided story; Zira and Cornelius deciding whether to repeat the "ape revolution" cycle, and the American government reflecting on how to avoid being taken over. As is, the gun-heavy climax seemed too far removed from the first two-thirds of apes-in-dresses gags.
What could've been the most philosophically stimulating entry in the series ended up as constant exposition surrounded by comedic fish-out-of-water fluff.
And yet this is one of the more liked Apes sequels, I've been told. Anyone else feel the way I do?