Whawowowowow....Mr. Majestyk--my word is this good.
It's great that critic (and man-of-good-taste) Elvis Mitchell was involved with this release, going so far as to write the intro to the liner notes and encouraging Charles Bernstein to get this thing done.
I love the rustic, bucolic, melancholy feel of Charles Bernstein's "Mr. Majestyk" score. The "folky dissonances" heard throughout are soooo effective. When that theme is playing, I "see" sunsets, fields, and rolling hills. It's loaded with mood and storytelling. "Melon Harvest" is a brief, but absolutely beautiful cue. I could imagine this on something like How the West Was Won. I've already replayed that track three times in a row already.
Another thing I'm finding is how my interests in film scoring has turned more towards minimalist, spare, avant-garde and smaller orchestras. My long-time interests in Jazz and TV scores have no doubt influenced this change. Mr. Majestyk is another (great) example of this "less is more" approach--guitar, harmonica, percussion, trumpet. And stylistically speaking, I love most anything from the late-sixties/early-seventies that employ this kind of "sound exploration." Nice that my jazz and film score interests have--to use a term of the time---dovevtailed...
Consilio et prudentia
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