ust to add to your observations Edward, I think that the blockbusters from the late 70s and early 80s greatly benefited from following on the heels of this period of darker themed, antihero type films. This was a period when films were still more adult oriented, even while they were transitioning to blockbusters and escapist fare.
That's a very accurate statement. Blockbusters of the late 60's through most of the 70's targeted adult audiences, the film industry from the 80's on catered towards increasingly juvenile audiences and tastes. You wouldn't get away with making a comedy like
Dr. Strangelove or a horror film like
The Exorcist these days, at least not with the big studios. I think that's mostly due to a combination of more disposable income among children and adolescents, and also due to a more adolescent or juvenile mindset and sense of humor among many adults.
emple of Doom caught hell for its violence, and although it compared poorly to the first and third of the series I still appreciate it for its relative lack of pandering to young audiences. Unfortunately, it also featured the Short Round character, which DID point toward vastly inferior youth-oriented blockbusters that littered the mid-80s and beyond
Even when I watched the movie as a 10 or 11 year old ikd, I detested the "Short Round" character. Just like you need a token black guy for marketing these days, I guess then you needed a token superhero kid. With
Raiders we had colorful characters like Sallah and Marcus Brody. In
Temple you had an annoying brat who belonged in
The Goonies or somesuch and a shrill bimbo who belonged in a Tom Hanks comedy.
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