MovieChat Forums > Outland (1981) Discussion > Its a remake of High Noon - space wester...

Its a remake of High Noon - space western!



Hadnt seen this movie for 20 years and just rewatched it. Really an outstanding flick. No its not a shoot-em-up-alien-filled SciFi, but it
really creates an outstanding atmosphere and the special effects are great.

Anyhoo most fans probably know this, but i didnt realize until reading in my movie guide that this was a remake of High Noon. After reading that and watching it, its totally obvious. Especially the last 30m (spoilers ahead) where Connery has to face off against the 2 'hired guns' that arrive on the shuttle (noon train)and no one will help him.

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Yes, I remember when it came out, one reviewer (Joel Siegal or Gene Shalit) called it "Gunfight at the Io Corral". It doesn't have the same emotional tug that High Noon has, since Gary Cooper was choosing between his pacifist wife and what he knew he had to do, but it stiil was a good poy boiler of a movie!

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The only problems I had with this film were the High Noon elements, and the fact that the entire colony(set designs, technology, costumes, etc)looked like something out of Alien.

Peter Hyams should have taken a different approach to the film.

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[deleted]

Yes, it is essentially a remake of High Noon. Surely, everyone knows this by now; it's been called that since it was released. We all know, but we still like it.

Please, no more pointing this out.

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I rather like OUTLAND better than HIGH NOON. I like the scenery of 'Io' (probably a UK soundstage -- but so what).

I just watched it in W-I-D-E-S-C-R-E-E-N from a PAL videocassette.

I really think OUTLAND must be viewed in Widescreen to get the maximum amount of enjoyment from the movie.

-CG

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Agree with that. I think most "space operas" as I have heard them called, definitely benefit from the widescreen experience. After all, space itself is very, very, very BIG and that is conveyed in widescreen well.

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I wouldn't call this a space opera. It all takes place in one location with very small-scale conflict. This is a police procedural that borrows its plot from westerns (High Noon, to be specific) and its setting from science fiction (Alien, to be specific).

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I don't think the term "opera" relates so much to the scale of the action and location as much as it does to the themes. I'd have to say I think it goes a bit deeper than a police procedural- sure, you can view it on that level and it's fine, but there are bigger ideas presented in it concerning various aspects of humanity. Obviously, it's basically High Noon- I don't think anyone, even the original writers, would argue with that as an inspiration, and it's a point that has been made ad infinitum. As for borrowing the setting from Alien, well, I think any similarities in look and feel to that film are more a rseult of it having been made within a few years of it and having some of the same model makers etc involved. At least, in terms of directly looking similar. As for the idea of a grimy industrial-looking future, I think that was more of a sci-fi zeitgeist. One which now, sadly, seems to be missing a little in more recent space-set dramas, as we once again go organic and shiny.

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I think you're being naive about how Hollywood works. People literally say, "Make it look like Alien."

And the term "space opera" was coined after "horse opera" to describe stories with epic proportions and melodramatic stories. These are (or were originally) derisive terms; people in Hollywood *do not like opera.*

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