MovieChat Forums > Poirot (1990) Discussion > Poirot is pure comfort food!

Poirot is pure comfort food!


There's something about this show (and Agatha Christie's books, for that matter) that is just pure comfort food for the soul. It would seem that stories about murders and people behaving badly wouldn't be especially comforting, but Poirot and his friends and 1930s Britain are all so inviting and, as we know, in the end justice is always served.

I love this show. I hate that I didn't get turned on to it until it was nearing the end of its life--the first episode that I actually got to watch as it aired on PBS was Third Girl--and missed all those many years that the show was in production and a current affair. I feel like I really missed out on something.

But at least it still seems to have its fans and I get to participate in that fandom after the fact.

I think it's a bit of a shame that the board here on MovieChat is so quiet. Are there no other Poirot fans here?

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I used to watch this back in the 1990s on PBS. Used to come on Sunday nights. Sherlock Holmes with Jeremy Brett was another great British series.

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It's one of my favourite shows, BUT only the earlier episodes. The movies made after 2001 really stink.

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I've seen people say that before--that they like the earlier episodes but not the later ones--but I enjoy both. In fact, it was the later episodes that I saw first. Third Girl, Hallowe'en Party, Murder on the Orient Express and Death on the Nile were among the first episodes I watched, and those are all later episodes.

I like the earlier episodes as well and I understand the allure of their lighter, more fun tone. But I also appreciate the heightened, more cinematic nature of the later eps.

Last night I watched The Clocks and enjoyed it quite a bit. If you haven't seen that one, you should check it out.

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I've seen most of the later episodes, but I don't feel the urge to revisit them.

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Why would you say you weren't really into the later episodes?

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Way too dark and serious. I don't like the look, it feels to gloomy and modern. The same goes for the casting. Poirot's personality has changed too much. And unnecessary changes to the stories that also don't seem to fit the era.

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Fair enough. The tone is definitely darker. I was surprised by how dark Murder on the Orient Express got at the end.

I still enjoy them, though.

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the ones without Japp and Hastings were lacking

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David Suchet!

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The definitive Poirot!

Though I also thought that Ken Branagh's interpretation of the character was pretty interesting.

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Yes, he's an actor on the show.

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I like the episode "Evil Under the Sun". Tamzin Malleson has wonderful magnificent breasts! She was such a hottie in her prime!

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That's actually one of the last episodes of the "early era". I must say I prefer the 1982 movie with Peter Ustinov.

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Have you seen the Orient Express movie from the 70s? Sean Connery played one of the characters, I forget who played poirot, Eddie Albert maybe? I don't know.

EDIT: Albert Finney, I just looked it up. Google is my friend.

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Yes, Albert Finney. I've seen it and although physically he resembles Poirot a lot, I've never been too fond of his portrayal.

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butt poop.

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It wasn't THAT bad.

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I love Poirot but the longer episodes are heavily padded and the later episodes feel empty without Hastings and Miss Lemon. So the show means a lot to me but was uneven.

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I would not call the later episodes padded. That's never been a word I've thought to use to describe them.

However, I can understand why old-school fans might be dismayed that some of their favorite characters fall out of the show later on. I wonder why that happened in the first place. Was it a creative decision or were the actors unavailable for some reason?

In any case, as I mentioned earlier, I didn't come to the show until around 2010 so it was those episodes that I first fell in love with. I only found the earlier stuff later on.

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I read that Agatha Christie wrote them out of the books, which I should probably read. Another thing I really enjoyed about early episodes is the same actors playing different roles in subsequent episodes. Gives them a chance to really show their range and ability.

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Ah, that makes sense about Christie writing them out of the books. I guess I should've considered that.

If you like her stories, you should definitely read the books. I still have a great many to go, but I've read a handful and they're good. Cards on the Table and was the first I read and I loved it (albeit there just might be one twist too many).

Murder on the Orient Express of course is one of her most famous. However, ironically, while I think it's a very good book, I actually think the story works better as a movie than it does in printed form.

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Murder on the Orient Express is the only one I've read and that was a long time ago.

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I'd recommend hopping over to Amazon (or even better, running over to your local bookstore) and picking up Cards on the Table. It's a fun, breezy read that goes down easy.

And during December, read Hercule Poirot's Christmas. It is also a lot of fun and it's one of her best written books.

If you want to check out one of her non-Poirot books, her best known--some would say it's her magnum opus--is And Then There Were None. I would also recommend Crooked House.

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I remember a movie, Ten Little Indians, based on her book but I think they later changed the title. Too lazy to look it up.

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They did. It's gone through three title changes. It is now known as And Then There Were None.

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What do you think of the 2017 Murder on the Orient Express? It's hard to adapt to a new take on Poirot but overall I liked the movie and it was well performed. I love the scene with hotel staff in a frenzy to cook 2 perfect soft boiled eggs timed to the second for Poirot, only for him to pull out a tape measure and discover they are not identical and he refuses to eat them. To me it demonstrated they understood Poirot ... unlike the Amazon Prime short series The ABC Murders which I liked a lot less. It is Poirot late in his life when he is no longer a celebrity and no welcome at Scotland Yard or any police station. They make big changes to Poirot's backstory that I didn't like. Have you seen it?

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It took me two viewings to decide how I felt about Branagh's MOTOE. When I saw it in the theater I was a little cold on it. I think this is largely because I've both read the book and seen multiple adaptations for the screen, and so there was a bit of a feeling of "been there, done that." Also, when I first watch a movie that I've really been anticipating I tend to feel a little let down the first time around, and I had been anticipating this one greatly.

However, when it came out on Blu-Ray I went ahead and bought it and gave it another watch and I actually enjoyed it quite a bit the second time around. I think the reason I enjoyed it so much was precisely because Branagh was smart: He made enough changes to keep the story interesting for seasoned viewers, while keeping the story close enough to Christie's book that it always feels faithful to the spirit of the original narrative. I appreciated this.

I also thought the cinematography was gorgeous and the performances were good across the board. My only complaint would be the obvious CGI during the avalanche scene, which just felt a little out of place.

So to sum all that up, I liked it and am looking forward to Death on the Nile. That should be a better theatrical experience, because I actually don't remember the ending for that one.

Regarding the ABC Murders, I have watched the first episode twice and that's it. I just haven't managed so far to get through the whole thing. As you say, it's very different from the original story and it also doesn't really feel faithful to the spirit of Christie's writings.

The writer who has been adapting these recent BBC Poirot films is Sarah Phelps. She's done four of these so far. And Then There Were None and The Witness for the Prosecution I thought were both pretty good. But Ordeal By Innocence and The ABC Murders feel like busts to me. I'm not sure she actually has much respect for Agatha. Some of her changes are pretty outrageous.

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I prefer the books, still. I think the actor is good but I just can't get into these adaptations.

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Why do you think you can't get into them?

I enjoy her books and think the Poirot series is a very worthy series of adaptations. For the most part, at least. They're not all winners.

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I don't know. I can't put my finger on it, but I have tried many times.

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