Worst Ellis Adaptation Ever?
Boy, did this director really butcher this story. For those that never read the book, let me give you a little background in how this hack ruined what could have been a pretty cool film.
-In the novel, the death of "Bruce" (he's called Jamie in the novel) occurs off sceen. Tim, Graham, Raymond, and Dirk (the jerk whose dialogue is taken by Martin in the film scene) are having dinner on the one year anniversary of his death. Dirk responds to Raymond's observation that it "has been exactly one year" by pretending not to know what he's talking about and badgering Raymond in to leaving the table in tears. Making it one year later works because it is recent enough that Dirk's pretense to not knowing is clearly untrue, but long enough that it isn't completely farcical. When he says "it was a long time ago" it's wickedly funny. Moving things up to a week ago makes his comment completely absurd. The dialogue Ellis wrote for that scene is probably the best of the entire novel. It should have been followed nearly word for word. Instead, they took maybe 10% of it and added a bunch of crap that turned that scene in to a joke.
-In the novel, Cheryl is a hot babe in her 20's. Ryder was way too old to play the part and changes the entire dynamic of that storyline.
-In the novel, Renfro's character isn't a patehtic, overweight loser. He's a jaded, nihilistic loser. And he brutally (and quite clumsily) murders the little boy in the end.
-There is no stupid AIDS storyline. Significant that Ellis was smart enough to avoid such a hackneyed and ridiculous storyline even though he wrote this novel at a time when AIDS paranoia was such that it wouldn't even have seemed as ridiculous as it comes across in the film. The girl dying on the beach at the end of the novel has terminal cancer. It isn't Christie, and her boyfriend isn't Graham.
-Last, and most importantly, THE NOVEL HAS VAMPIRES!!!! Bruce (Jaime in the novel) returns towards the end of the novel. Excluding his character killed the film because he is by far the funniest character from the novel. He's constantly cracking corny Ethiopian jokes that the women he picks up never get. His personality type is a cocky, playful, self confident, Vampire version of Patrick Bateman. He has a hilarious scene in the novel between him and his psychiatrist. He's also friends with Dirk (the guy from the first scene whose dialogue is taken by Martin in the film) who is also a Vampire, which ties up some lose ends from the earlier dinner scene.