I think your last statement, yes, I agree with that. The closer they can get to the original story, the better. There's a bit of a slider-scale there for me, and I acknowledge that I'd rather watch a good movie than watch a movie slavishly replicate "real life" and turn out something that's a chore to watch and just drags on and on.
It also, to me, depends what they're cutting or omitting and what it affects. For instance, when doing a biopic, it's going to be necessary to condense aspects of a person's life - it's a whole life. But if the focus of the film is on one specific day or incident, then more can be preserved.
How justified it is depends on what it does to the story and what it means to people learning about it, too. With your example in The Tudors, it would depend on how much historical accuracy depends on Henry's having both sisters. I'm not expert here, I can't comment, but if these people didn't really do anything historically noteworthy, then it's not that important. On the other hand, I do think that there's an obligation to not misinform viewers about history. There is a lot of pro-American revisionism in historical films. The Patriot, for instance, paints the British as arrogant, incompetent, or barbaric. U-571 pretends the British crew are American. Argo doesn't want a mission involving a lot of Canadians, so they just shove those guys to the side. For the record, I haven't seen Argo, but I did enjoy the other two films. That said, I don't think of them as being great movies, and part of that is their lack of accuracy.
Other times, the film requires that licence to tell the story at all. Amadeus is a brilliant film and wouldn't exist if the truth - Salieri didn't hate Mozart's stinking guts - was adhered to. To tell a story about jealousy, talent, and one man's struggle with God, they had to make it up.
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