2 questions


Hi, I'm new to this board. I've got 2 questions:
Why doesn't Lacke become a vampire after Eli killed him?

Anyone else feel that Oskar kissing Eli when his face was all covered in blood was out of character? That scene grated on me....

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Welcome.

"Why doesn't Lacke become a vampire after Eli killed him?" - quantensprung


To stop people becoming vampires after Eli feeds on them he has to break their neck, as seen with Jocke's death. The reason Virginia became a vampire was because Eli was interrupted and couldn't break her neck. So it is assumed that Eli broke Lacke's neck. We don't need to see this detail as it is already established and would just be pointless repetition if we are shown this for every kill.

"Anyone else feel that Oskar kissing Eli when his face was all covered in blood was out of character?" - quantensprung


No, not really. Don't forget that Oskar is obsessed with the darker side of life, he collects cuttings of murders and murder weapons, He cut his hand to become blood brothers with Eli, he's not squeamish. One of the main messages in the film is acceptance of others for what they are, not what you want them to be. Oskar accepted Eli even after he worked out that Eli was a vampire, with all that that entails.

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http://www.youtube.com/watch?v=0e3tGxnFKfE

http://tinyurl.com/LTROI-story

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Thank you Jameron!

I can't remember if it was in the film, but it was in the book - Oskar thinks Eli is gross when he wants to put on his blood-stained shirt again (after he started bleeding when Oskar didn't 'let him in'), so I think he wouldn't kiss him when covered in blood. Plus he's still rather a child, kissing on the mouth is more from the viewpoint of an adult.

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"I can't remember if it was in the film, but it was in the book - Oskar thinks Eli is gross when he wants to put on his blood-stained shirt again (after he started bleeding when Oskar didn't 'let him in'), so I think he wouldn't kiss him when covered in blood." - quantensprung


What we have to bear in mind is that Eli and Oskar in the film are substantially different than in the book. In the film, Eli is far more serious and reserved, and Oskar is far less conflicted about Eli. I don't think it is ever a good thing to compare books and the films they generate, in any great detail.

However...
"Plus he's still rather a child, kissing on the mouth is more from the viewpoint of an adult." - quantensprung
Oskar in the book is interested in this mystery known as the "female anatomy". He goes into the basement and looks at a porn magazine for clues about how "sex" is actually done, he knows the basics from 'sex ed' but it is still a mystery to him, a mystery he wants to resolve. Oskar is a child on the cusp of puberty, he is ready to take it further given the right circumstances. You should also remember that he and Eli had already shared a kiss, a non-sexual kiss, when Eli revealed his past to Oskar. So Eli's kiss in the scene in question wouldn't necessarily be seen as something sexual, something "adult", by Oskar, but as something they had done before. Something that was just for them, as it was non-sexual and infinitely more than every other kiss that every other person experiences.

That's how I see it, anyway.

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- - - - - - - - - - -
http://www.youtube.com/watch?v=0e3tGxnFKfE

http://tinyurl.com/LTROI-story

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The kiss. Since Lina and Kåre are the actual age of Eli and Oskar, something Lina said in an interview is of interest. She said it felt weird.

Let's say it was just out of character for prepubescent kids, not just for Oskar or Eli's character.

I prefer to think that the kiss was an abrupt transition, taking the film to another, very sad level. Oskar had been her playmate, had accepted her as a human as well as a vampire, and now circumstances were taking that away from her. And it's the transition we fear; that is, we are desperately hoping that these children will find a way to be together; but no, she has to flee yet again.

But this is so unlike other changes in her life that she doesn't know how to begin to express it in words. She (he, if you insist) kisses Oskar on the mouth as a profound gesture to signal all that she must now give up, a loss so painful that there are no words for it and, really, no appropriate gesture. The kiss emerges from such deep and conflicting emotions that she would be hard pressed to explain why she did it.

But it is just so right. "Goodbye forever, my dear and only friend."

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Let's say it was just out of character for prepubescent kids, not just for Oskar or Eli's character.

Yes, that's what I meant.

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