In-depth article about the production
Award-winning actress Glenn Close has spent 15 years trying to bring Albert Nobbs to the screen…and finally she has succeeded. The $6m film is currently shooting in Dublin with Rodrigo Garcia as director and a cast including Jonathan Rhys Myers, Mia Wasikowska, Aaron Johnson and Brendan Gleeson.
The film is based on the George Moore short story The Singular Life Of Albert Nobbs, about a woman in Victorian-era Dublin who impersonates a man in order to get a job as a waiter. Close not only plays Albert Nobbs (reprising a role she first took on the stage in the early ’80s), she is also a producer of the film and co-wrote the screenplay.
“Having done it on stage in front of a live audience, I really believe in the power of this story and the originality and wonderful challenges of this particular character,” Close says. “We love characters who have no self-pity and become believers in a dream.”
The actress-producer reveals that she came very close to making the movie around 10 years ago with Hungarian director Istvan Szabo at the helm. She and her team had even started location scouting in Dublin when the financing unraveled.
“The nature of an independent film is that…it almost doesn’t get made,” she reflects ruefully as she looks back on her long fight to bring Albert Nobbs to screen. “You have to find someone who will believe in your vision and will have enough faith in the story and people involved to actually invest in it.” She adds that putting together the finance is “like building a very delicate house of cards.” If one card falls, the edifice collapses.
Close’s fellow producers are Bonnie Curtis (Spielberg’s long-time coproducer) and Julie Lynn. Alan Maloney of Parallel Films is the Irish producer and The Irish Film Board has invested. WestEnd Films is also a partner and has already closed a number of pre-sales on the very long-gestating movie.
After working with Rodrigo Garcia on Things You Can Tell Just By Looking at Her and Nine Lives, Close decided he could be a “good fit” as director. Then, when she had appeared in The Chumscrubber, produced by Bonnie Curtis, she enlisted Curtis as well. “That really ignited the project again. We’ve been at it for five years!”
For his part, Garcia points out that Close “having done my movies back when I was starting as a director had been instrumental in getting my movies made. I wanted to help in any way I could.” Once he read the screenplay, he was further enticed. “I had never thought I would do a period drama, a costume drama, but this is such an unusual one and the themes are so contemporary.”
The screenplay has been through various metamorphoses. Gabriella Prekop (Szabo’s translator) wrote an early version. Then, Booker prize nominated novelist John Banville came on board. “I needed somebody who really knew the Irish idiom and the period. I called up my friend Stephen Frears (who directed Close in Dangerous Liaisons) because he is great with writers. I said who would be good for this and he said John Banville. So I called John out of the blue.”
After Banville wrote two versions and a brush-up, Close “took it back” and made her own additions and tweaks. Banvillle has continued to contribute.
The irony is that while financiers have sometimes shied away from Albert Nobbs, actors have clamoured to be involved. Close and her team have assembled an ensemble cast that includes top Hollywood and Irish talent.
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