'A bad film'


People too often conflate whether a film is good or not, with whether they liked it or not.

I get why people wouldn't like this film, but is it a bad film? No. It's a work of integrity by a legendary novelist and legendary filmmaker, they're stubborn old guys who threw out the rule book and ploughed ahead with a brutal meditation on choice and fate. The bolito is a metaphor for the noose of fate that, once triggered by a tiny choice, slowly and unstoppably tightens until everything is destroyed. The film captures the dread and despair of realising the device has been triggered, and all you can do is watch it kill everything you care about.

It's a horrible experience, and not how most people want to spend their Saturday night, especially when they paid to see some cool crime caper with sexy stars, but that doesn't make it a bad film. No way. McCarthy stuffs the script with his cryptic pontifications, with scant regard for plot details and character motivations, and Ridley's visual verve creates a beautiful hell teeming with predators. The actors have their work cut out for them - trying to bring some humanity as McCarthy stuffs huge philosophical ruminations into their mouths while Ridley lights another big cat. They do a good job, considering.

It's been days since I saw the film and I can't stop scratching the resulting wounds, that's a good sign. I've since bought the blu ray and am enjoying digesting the vignettes properly and picking out the fleeting clues that explain what the hell's going on. It's a difficult film, but I'm glad it exists. It's a shame when a rare work of integrity climbs out of the cesspool of Hollywood bland and gets panned for daring to challenge an audience.


reply

I think a reason for dislike of this film and dubbing it a "bad film" stems from it coming across as a movie written not by a passionate talented writer, but it feels more like it was written by someone who saw better movies and wanted to write something like it, as if on every page there's written parenthesis saying, "this movie is gonna be really, really good!", and it becomes such a tryhard movie that feels like it's ripping off the work of better directors and writers.

reply

Thanks for the metaphor with the bolito. Never saw it like that before.

reply

It was an extraordinarily terrible film

reply

No, it’s an objectively good film, but what makes you mistakenly call it ‘terrible’?

reply

In my opinion, very bad script and poor acting.

reply

It is not "No Country For Old Men" but I still think it's a damn good movie (even though it left me with questions that I cannot answer). I got together, for a baseball game, with friend of mine I used to work with 16 years ago & who was someone I always used to talk movies with & he asked me if I had any picks since the last time we talked movies. One of the ones I gave him was The Counselor. He emailed me a couple of weeks ago & said, "it was awesome. Thanks."

Yeah, I had some real problems with stuff I couldn't figure out, & if you have them figured out, feel free to clue me:
1) Fasbender was a middle man, simply a source of money for finance of the operation, but why did these cartel guys even need that? It seems as if they had abundant resources for smuggling coke without him.
2) So the Green Hornet got killed & the wire man (who was working for or with Malkina) got the chip or whatever it was that was needed to steal the sewage truck with the coke, but how & why did that implicate Fasbender? Wouldn't he have just been stealing from himself?
3) & why did Rosie Peres (AND the cartel) blame Fasbender just because he bailed her kid out?

Those questions (& there are others) bothered me so much that I bought two different copies of the screenplay (they turned out only to have different covers) & watched the movie several times, & loved it each time, but still I couldn't answer those questions for myself.

If you can answer those, I won't be bitter, I'll just accept that I am dense with that kind of stuff & you are just more on a cerebral plane with McCarthy than I am.
As it is, I just gave up trying to figure out those nagging questions & learned to accept that it was either just out of my black & white reach or that McCarthy enjoyed leaving puzzles.

As with "No Country . . ." I thought the dialogue was superb.
I am not a big Brad Pitt fan, but I thought that in this one, he was spectacular.

But you know what they say about opinions.

reply

1) I saw it as Fassbender investing in an enterprise, much like how he invested in Reiner’s club. Presumably, whatever the deal was the people conducting the operation stand to earn bigger bucks by having outside investors onboard. Perhaps they take a slice of the profits, and the more drugs they smuggle/sell, the more they make.

I suspect there are more details to be gleaned from Counselor’s initial chat with Pitt (which might be longer in the extended cut - the only version I’ve seen) that whole conversation takes a couple views to digest all the details. Watch the extended cut if you haven’t already, and revisit that scene.

2) We learn from Pitt’s second chat with Counselor by the hotel pool that once the drugs were stolen the cartel immediately suspects foul play by anyone else involved in the deal, they’re paranoid about people screwing them over, and immediately set about punishing them. Perhaps they suspected Counselor of stealing the drugs so he can sell them ‘on his own’ and not have to share with his partners.

I don’t know if this is how things work in the real world, but in McCarthy’s world the moment you climb in bed with the cartel your days are numbered. Hell, even the harmless guy in a jeep who merely witnessed the cartel guys in a gunfight was immediately machine gunned to death.

3) Ruth (Peres) might have been cartel connected. Her son was a well known criminal, and she seemed extremely cynical and world-weary. If the cartel suspects Counselor of foul play, perhaps she does too.

The film certainly doesn’t hold the viewers’ hand (which I respect) and drops a lot of details into its many dialogue scenes which can be hard to follow 100% but those are my best guesses.

reply

[deleted]

It's been a very long time, but as I recall, I had a very hard time taking the script seriously because it was entirely predicated on the existence of "snuff films"... which, as a 5-minute Google search will inform you, have never actually been a thing.

reply

Were you also unable to enjoy King Kong because gigantic gorillas don’t exist?

reply

This is not a fantasy film, though, is it?

I know for a fact that McCarthy can write, because I've read more than one of his books; I dont think 5 minutes' worth of research into the subject of a story is too much to ask for.

reply

It doesn’t need to be a fantasy film to present things that might not exist in reality. There are people who want to fuck kids, I can easily believe that there exist sickos who want to see a porn film in which some poor victim gets killed, and that there’s a market for it.

I also wouldn’t consider Google any kind of reliable authority, it’s a highly curated ‘search engine’ run by people with an agenda of their own.

reply