MovieChat Forums > Shetland (2013) Discussion > Plot hole in Season 3 finale (spoilers)

Plot hole in Season 3 finale (spoilers)


I thoroughly enjoyed Season 3 with all its plot tangles and was hanging on for the payoff in the finale. Alas, it wasn't just a letdown, it defied all credibility.

If I understand it correctly, deranged Leanne/Lena emailed Calvin from the library with info on where to find Michael ... am I right so far? If so, my question is ... what is the connection between Lena and Calvin? How did she have his email address and what led her to conclude that Calvin was searching for Michael? She was a chambermaid in an Aberdeen hotel. How could she possibly have inserted herself into the bigger mob-killing narrative?

I get that she was seeking revenge against Asha, though that alone is a pretty weak explanation for all the mayhem that ensued. As for the rest, it would have made sense if Robbie had said on the ferry: "Oh that guy is my dad in witness protection and a mob lawyer named Calvin in Glasgow is trying to find him to kill him." ... But Robbie said nothing. So we're back to - how did Lena know about all this?

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Yes, as many posters have already mentioned, S3 finale is a huge letdown and contradicts its earlier set-ups.

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I saw other explanations on this board, but the notion that Lena set up a mob hit by using Google on the library computer is beyond dumb.

With all its plotting problems, I have to wonder whether S3 began life as another 2-parter like previous seasons, but BBC execs liked it so much they wanted to stretch it out by adding more and more plot threads to fill 6 hours? Unfortunately, there were so many characters and subplots one wonders if any satisfying conclusion was possible?

In the end, S3 will be memorable for its characters and scenic locations and for the exceptionally empathetic handling of the subplot involving Tosh. As for the rest of the plot, I've forgotten it already :-)

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While I agree it is a big plot hole, I have to wonder if Lena emailed Calvin because he was a high profile lawyer in Glasgow known to defend McColl. It suppose it was assumed to be a high profile case.

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I think it's all in there, but deliberately understated.

Lena enters the witness protection program with her mother. As both Perez and Asha will remark, later on, it's a trying, lonely experience. It follows that, following her mother's suicide - which she blames on the program and Asha - Lena is emotionally damaged, traumatized and disturbed.

Lena ends up working as a chambermaid in the same Aberdeen hotel where Asha will conduct clandestine meetings with Michael. When she recognizes Asha and figures out that Michael is another witness protection client, Lena takes to following him with the intention of using him him to somehow draw Asha away from the relative safety of the big city. Michael leads Lena back to the Shetland archipelago where she grew up.

Lena doesn't know who Robbie is. She never plans to cause Robbie's death or Michael's death. When presented with an opportunity to leave Robbie stranded in a container after his very public falling out with Michael, she shuts him in - hoping that he will be missing long enough to cast suspicion on Michael and draw Asha out. Because of her obssession, she doesn't waste time imagining the consequences if Robbie isn't found in time. And she doesn't lift a finger to help him as time goes on, because she's fixated on messing with Michael.

When things don'thappen fast enough to suit her - despite her constant presence and nagging - she attempts to provoke a faster response by contacting Arthur McCall's organization. She is making an educated guess about that, based on her mother's experiences, because Asha and Michael have been meeting regularly and a likely explanation of that would be McCall's sensational and looming high profile trial. She doesn't have to contact the crime boss. She contacts the office of his equally high profile lawyer who is notorious precisely because of that connection to McCall. Easy enough to find on the internet.


She doesn't appear to have intended that Michael be killed any more than she intended that Robbie be killed. They both are simply collateral.

When Michael follows her to the ruins of a farm (and the assassin follows Michael), he doesn't know she's actually
visiting the site of her childhood home. She's not actually luring him.

The more I'm thinking about this season, the more I'm liking it. Lena's unfocused vendetta sets many different tragedies in motion and exposes multiple conspiracies. And the more I look at it, the more i am struck by the intricate plotting.


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Thanks for taking the time to write that, Ciaobaby. Did you watch the series more than once or read the book?


Meryl Streep is a shape-shifter.

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No book for this one- they wrote it specifically for the series, which is probably why it was so weak- it didn't have Cleeves' stamp on it.

She thinks her plots out very carefully.

..Joe

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Just discovered the series. Now I'm sad because I've finished Season 3 and don't know where to go from here.

Case Histories, I guess.

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I know the feeling.


Meryl Streep is a shape-shifter.

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[deleted]

Have you watched Hinterland?

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Have you watched Hinterland?
No. I'm in the U.S., and we don't get that here. I'm so thankful our PBS has shown The Tunnel, which, for its plot, subplots/red herrings, complicated characters, and stellar acting, is my most recent favorite.

Meryl Streep is a shape-shifter.

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also love tunnel shows wish they had not killed one of them wanted more

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Now I'm sad because I've finished Season 3 and don't know where to go from here.
I think Case Histories isn't dark enough for Shetland withdrawal. You might like River, or Bron, or The Tunnel, or Collision (miniseries w D.Henshall).


Also, tastekid gives suggestions for similar shows, movies music, etc.:

https://www.tastekid.com/shows/like/shetland

https://www.tastekid.com/shows/like/hinterland


"All you need to start an asylum is an empty room and the right kind of people."

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But I agree with you.


Just finished Series 3 of The Fall. Starting River.

Looking for The Tunnel. I haven't actually seen The first series of True Detective, so I'm looking forward to that. I've heard it's fantastic.

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I liked the episode. You nailed the plot line. In my opinion, the character, Lena, just didn't care about Robbie or Michael. I do have one question. It's not too important but bugs me. How did Lena know Asha's room number? I know Jimmy told her the hotel, but if I didn't miss something, we just have to assume the front desk told or an employee gave Lena the number.

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I'm a late bloomer to the Ann Cleeves 'Shetland' series phenomenon - having fallen head over heels over her writing with 'Vera'. Answering carrie45 above - in looking at the layout of the hotel, it seemed to me to only have one real room, which is the one with all of the windows looking out over the water (of course, there's nothing but water to look out over in Shetland!). Was somewhat impressed with the TV series, but Season 3 blew me away. Excellent writing and the acting is superb. Thought Perez' TV character was too far off the mark from Cleeve's Perez, but once I got into the TV series, I came to really admire what the actor brought to Perez. Well done all the way around. Just started reading 'Thin Air'.

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This is super helpful. A few nags remain for me, though. First, it seems really far fetched that she would put a complete stranger at so much risk on the hope that she'd be able to pin it on Michael, and thus get to Asha. Second, we see actual footage of Leanne/Lena looking all over the place for Robbie in E1 -- there's no motive for that since she knows exactly where he is. Finally, why is she not dressed warmly if she's a Shetland native and knows the climate. Perhaps that's part of her pose to look like a Shetland newbie, but then why would she be mucking around with the driftwood?

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