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Rate the three Titanic films


Of the three most recent Titanic films, Titanic(1997), Titanic AKA A Night to Remember(1958), Titanic(1953) which did you like best and why? Although I liked them all my ratings are: 1. 1953, 2.1958, 3.1997.

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A Night to Remember for the accuracy. The 1953 film has a better fictional storyline than the 1997 film but I'll go with the 97 one because of the sets and special effects. Combine those sets with the script for ANTR and we will have a perfect Titanic film.

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The 53 film and Cameron's share a lot in common. A Night to Remember is very different, and while it has its qualities, it is too procedural. There is no heart or feeling. The lack of panic and danger to it are kind of alarming, and so for that reason I'd put it last. I'd have the '53 film second, and Cameron's first. Historical accuracy is less important to me in this instance than capturing a reality, and the 97 movie did that like no other.

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[deleted]

1-ANTR

2-Titanic (1953)

10-Cameron


That's not a typo. I wouldn't rate Cameron higher than ANY other production that features the Titanic in some way. Higher marks go to "SOS Titanic" (1979) the Kraft Theater TV production of "A Night To Remember" from 1956, the pilot episode of "The Time Tunnel" and any more that exist. That's how much of a low opinion I have of Cameron and his piece of crap.

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1 A Night To Remember 8/10
2 Titanic (1997) 7/10
3 Titanic (1953) 4/10

The '53 version is just awful. A decent story ruined by the awful last half hour of the film.

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The 1997 Titanic must be rated the worst . . . after viewing this film the first time I honestly couldn't believe how bad it was . . . I'm so grateful it didn't win the Academy Award for Screenplay (one of the worst written) . . .

1. Titanic, 1953

2. A Night to Remember, 1959

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"A Night to Remember" is a good, straight forward recount, without too much emotion and histrionics.

I would like to see a movie based on the sinking of the Awa Maru, which claimed twice as many lives, in an illegal torpedoing of a Red Cross hospital ship during WWII, by an American submarine — only one person survived, he was having a smoke on deck when the ship was blown to bits.

The Titanic is overblown in our history, simply because a lot of rich people died, boo-hoo.

The Awa Maru took 4,000 doctors and nurses and wounded soldiers to the bottom of the sea, and reportedly about 5 billion dollars worth of gold, and the bones of the Peking Man.

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I have read the entirety of the comments made so far in this long string. Here is my view of this.

First, I have not seen the 1953 movie but will look for a decently priced copy on the web to acquire and view. From what most have said so far about it, I most likely will like it pretty well if not enthusiastically.

Second, "A Night to Remember" is wonderfully done and about as faithful to the riveting Walter Lord book as a movie could be and still be dramatically engaging, which it is.

Third, "Titanic" (1997), a completely stunning cavalcade of special effects combined, as others have concluded, with a sappy, dinky, and juvenile love story, an often mediocre script, and some two-dimensional characterizations that combine to diminish what could have been the best movie ever made. As has been said or implied by others, if the approach in "A Night to Remember" could have been combined with the special effects of "Titanic," a truly titanic motion picture would have resulted.

(Also, it is good to keep in mind that a movie set in 1912 is old enough to be considered a "costume drama," which not infrequently is done with loose or nonexistent care for the history, when the movie is presenting a version of an historical event, or is poorly to wretchedly handled in bringing a good or great novel to the screen (e.g., 1940 "Pride and Prejudice," a mangling of the novel and the period even worse, if more benign and sprightly, than the 1995 awfulness.)

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Yes, Cameron's film was juvenile . . . painful to watch, though, yes, the special effects were stunning . . . the performances lousy . . .

The 1953 film is stylishly done, superbly acted . . . it's a finely done movie, I think you'll enjoy it . . .

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I agree with you.

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Whatever anyone's feelings are about "Titanic" (1997) it remains one of the profoundest love stories ever told. Shakespeare himself would swoon had he seen it.

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Yes, I too always liked Veronica . . . wrong! Titanic, 1997 version is awful . . . it's not a love story, never was . . . she doesn't even care about him, just uses him for what she wants . . . the woman is extremely crude and selfish . . . and doesn't care about anybody but herself . . . and Kate Winslet played the part terribly, almost dead . . .

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I cannot argue with idiots. I'm not even saying "Titanic" is among my favorite films, but from a filmmaker's perspective it's one of the best written love stories in the history of film.

wrong! 'Titanic,' 1997 version is awful . . . it's not a love story, never was . . . she doesn't even care about him, just uses him for what she wants . . . the woman is extremely crude and selfish . . . and doesn't care about anybody but herself.


Who writes like this? How is the 1997 version awful? How or why is it not a love story? The 1997 Version is primarily a love story occurring during the sinking of the Titanic and that's what makes it so profound and interesting. You don't have any evidence Rose doesn't "even care about" Jack; you're attempting, albeit poorly, to demerit the film based on unfounded, if not asinine assumptions. How is she "crude and selfish"? And, really, what's your point if she was? If anything, I would say Rose's mother is crude and selfish trying to force Rose into a marriage with that controlling douchebag because stale traditions and wealth are "obviously" more important.

But you really don't have any points to make and you wouldn't understand a filmmaker's perspective. I would be hard-pressed to come across a bigger load of nonsense and, believe me, I encounter my fair share.

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She's more concerned with that emerald than she ever was with Jack . . . she just used him to get away from Mommie dearest and Zane . . . and he threw his life away so she could go off horse back riding . . . the 1997 version is the most juvenile of the whole lot of Titanic films . . . and I will state that I was proud of the Academy Awards for not giving any member of that dreadful cast an award, and more importantly, the Academy didn't give it the critical screenplay award (how cold they even think of giving it for that awful story?). . . Leonardo complained that he wasn't nominated (for what? Dying at the end?) . . .

In support: the soundtrack was beaufitul . . . the sets authentic--especially that magnificent main dining room (watching the film I felt as if I was in the dining room) . . . the breaking in two of the ship was also fabulous--something Cecil B. DeMille would be proud . . . costumes excellent . . . special effects--suitable . . .

I'm so grateful it didn't win the screenplay award . . . The Academy did themselves proud . . .

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