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Cite the WORST episodes and WHY


- “Requiem for Methuselah” (#76): Despite the intriguing premise of an immortal Earth man who was many significant figures throughout history, “Requiem” does not work. Bad writing and editing birth a story that doesn’t flow or make sense, resulting in the ultimate sin in entertainment — it’s boring. When Kirk fell in love with Edith Keeler in “The City on the Edge of Forever” it was completely believable. We actually felt Kirk’s anger and pain at the end. Here Kirk is totally out of character. Not for a second do we believe that he has fallen so mesmerizingly in love with Rayna.

- “The Alternative Factor” (#20): The story isn’t interesting, doesn’t make sense, and isn’t told very well. Plus much of the footage is repetitive with too many scenes of Lazarus falling off cliffs, getting facial wounds, fighting in the “corridor” and wandering around the Enterprise unsupervised. Its major highlight is the Vasquez Rocks sequences, but location shooting can’t make up for a poorly written/edited story. At the very end Spock informs Kirk that the Universe is safe. Kirk responds, “For you and me, but what of Lazarus? What of Lazarus?” After viewing this episode, Who Cares?!

- “Whom Gods Destroy” (#71): This one's atrociously boring, redundant and lacking depth; in other words, unadulterated Star Trek fluff — definitive proof that even our great Star Trek characters can’t pull off what is essentially a lousy story. It’s worth watching only for the lovely Yvonne Craig and Steve Ihnat’s exuberant performance.

- “The Empath” (#63): A big budget-saver as most of the episode was filmed on an empty darkened soundstage. The only thing that makes it worth watching is the ever-entertaining Kirk/Spock/McCoy troika, each of which reveals his willingness to sacrifice himself for the other two. Most people love or hate this episode, with the scales strongly tipped to the latter. The theme is worthy and it has a nice cerebral, mature vibe, much as Roddenberry originally envisioned for Star Trek as witnessed in the original pilot "The Cage" (speaking of which, the aliens in "The Empath" are just second-rate Talosians). I can appreciate this, but the dated, non-Trekian music doesn’t do it justice, not to mention the stripped-bare sets. We are left with the hands-down winner for Series Best Yawn Fest.

- “The Mark of Gideon” (#72): This one's so bad, so completely wrong, that it possesses its own charm — the utter absurdities of the story somehow make it fascinating to watch. It thus wins it for Series Golden Turkey (yes, even above “Spock’s Brain,” which at least entertains). Thankfully, the initial mystery is intriguing and the beautiful Odona doesn’t hurt. Beyond these factors it’s a bit of a bore. (If you're fuzzy on the "absurdities," let me know and I'll post 'em).

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Spock's Brain is the stupidest episode. Bad writing and dumb plot. Cringe-worthy.

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It's often cited on worst episodes lists, so many agree with you. I see it's faults too but, for me, it at least entertains; and entertainment is the name of the game in space sci-fi.

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Normally, I enjoy cheesy movies and TV shows for a good laugh, but this episode is so bad that it just makes me cringe. There are other bad ST episodes, but this is the only one which I don't like.

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I hear you. It was the first episode to air for the 3rd season and, at the time, many felt it was not a good omen of things to come. Some understandably argued that the series devolved from being too cerebral to being utterly brainless.

Being entertaining to me, however, I see it as the Series Golden Turkey.

Some highlights include...

- The notable "The Teacher" helmet-machine, presumably designed by Matt Jeffries. Although not everyone’s as impressed with it as I’ve heard it referred to as “The Salad Bowl of Knowledge” (lol).

- Marj Dusay, who plays Kara, does an impressive job of metamorphosing from a naïve (seeming) airhead to a highly intelligent and sophisticated woman under the influence of The Teacher.

- Desiring to surgically put Spock’s brain back in his head (something quite beyond his own medical knowledge and skills), McCoy dons The Teacher and is enlightened by highly advanced medical knowledge. He understandingly exclaims, “Of course…of course…a child could do it…a child could do it.” I found it very convincing.

- The hilarious scene of Scotty suddenly pretending to faint in an effort to distract Kara who’s pointing a phaser at the Captain. Kirk then quickly grabs the phaser.

- After his brain is successfully restored, Spock starts to go on and on about the fascinating cultural developments of Kara’s planet. McCoy cuts in: “I knew it was wrong, I shouldn’t have done it… I should never have reconnected his mouth.”

- In light of Spock’s later inexplicable willingness to discuss private Vulcan sexual matters with a woman he’s just met, as observed in “The Cloud Minders," I would have to conclude that McCoy’s operation to restore his brain was not entirely successful.

- Compliments to costumer William Theiss for the alluring miniskirts & go-go boots worn by the Eymorgs. They can pick my brain any day!

So, for me, it's a fun, enjoyable and engrossing outing. Preposterous? Yes. Bad? No.

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I just watched an excerpt and laughed and cringed a the same time. I'm not sure how they were able to keep a straight face while delivering such bad dialogue.

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I know what you mean. Despite my list of highlights, that scene in the first act where Kirk & Scotty interrogate a primitive man on the planet’s surface almost tempts the viewer to tune out.

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Yes, that episode descended completely into self parody and manages to avoid being boring. Its so bad its good, as opposed to being just bad, like some of those other episodes.

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Yes, that's how I view it.

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It is quite bad but there are some unintentionally funny moments that keep it from being the worst.

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I like Requiem for Methuselah and Whom Gods Destroy. The others, I agree, especially The Empath, which may be my pick for worst in the whole series.

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- "The Alternative Factor:" Was excessively dumb, confusing, used some of the cheapest special-effects on the entire show, the storyline was choppy and poorly written, and I wanted to kill Lazarus before the episode was up. Not to mention seeing him use a cheesy "Jetsons-style" saucer ship for transport.

- "Who Mourns for Adonais?" I avoided this episode for a long time, because I found it insulting towards Christians, but when I finally attempted to watch it, the episode was even worse than that. I got bored 3/4 of the way through! The plot was very slow for a Star Trek Episode.

- "Catspaw:" A really lame story with some of the cheapest special-effects after "The Alternative Factor." It was pretty obvious they recycled some haunted castle set lying around one of the nearby studios, and there was nothing creative at all about any of this story. Are we supposed to be scared of the shadow of a house cat? Even stupider is, at the end, it turned out to be an illusion projected by aliens made of pipe-cleaners! Stupid! >:(

- "The Return of the Archons:" It was a stupid and cheap episode, recycling Victorian sets and costumes lying around. While the concept of people being controlled mentally by a computer that they inherently worship as a god is vaguely interesting (and the concept has been explored in many sci-fi stories since then) the way it was presented was really stupid.

- "A Piece of the Action:" This one was so stupid, one could mistake it for a mafia show instead of Star Trek. Like "Return of the Archons," it's another case of cheaply recycling 1920s costumes, cars, and tommygun props lying around the nearby studios in order to throw together a filler episode. The only silver lining to this episode was that it inspired better-written stuff in later Star Trek spin-offs, using 20th century gangsters as a theme.

- "A Private Little War:" Probably should be nominated for the absolute worst costumes and wigs worn by actors in any 60s tv show. That, and the hippie commune north of L.A. called, they want their dancer girl back. Should also be nominated for the worst portrayal of an alien monster ever made (the Mugato) and funkiest healing scene ever done afterwards. Even the Gorn in "Arena" looked better than that!

- "Assignment Earth:" It was meant to be a spin-off of a tv series taking place in the same universe as "Star Trek," involving Gary 7 and his bimbo girlfriend. However, the #1 reason I hate this episode comes down to one name: Teri Garr. Granted, she has done better in other tv shows and movies, but in this episode, she is the most annoying, shrill little shit I have ever seen on tv. I also hate her clashing orange/pink dress. I suspect she is partially responsible for the Gary 7 show never getting off the ground. Who would wanta watch Gary exploring the galaxy with an annoying bitch like that? The only reason my grandpa would watch the episode was to drool over Isis in her human form [which she was only in for 2 minutes] at the end of the show!

- "The Paradise Syndrome:" A really stupid episode involving Kirk with amnesia, trapped on a planet that has recycled politically incorrect American Indian costumes, and has weird alien obelisks lying around. The only saving grace of this episode was, the obelisks inspired some cool writing for "Star Trek Online" decades later.

- "Spectre of the Gun:" Why oh why did they make this episode? It's just them hanging out on half-built wild west sets, re-enacting the Battle of the OK Corral. Some people have found the concept of the aliens putting this all into their minds interesting, but honestly, I really have no interest in this episode. Incidentally, it spawned the trope "Chekhov's Gun" on TV Tropes.

- "The Mark of Gideon:" Very stupid episode that mostly consists of a Kirk following a woman with a childish hairdo and her underwear on the outside of her clothes around an empty version of the Enterprise, and her planet is super-over-populated to the point where they've lost their minds. No thanks.

- "That Which Survives:" Poorly written episode that had a very stupid plotline about an alien device that would project a woman dressed as an "alien," who would touch people and kill them. The only notable thing about the entire episode was the interesting costume the woman wore.

- "The Way to Eden:" Mostly just a stupid "space hippie" episode, trying to tell a metaphor for why the hippie lifestyle is destructive. I can't imagine why nobody got the message.

- "Turnabout Intruder:" Mostly it's an episode to where Kirk is trapped in the body of a woman who hates him, because they switched minds using an alien device. It seemed to be a metaphor for how sexist Starfleet was, which contradicts a lot of Roddenberry's Utopian vision for Star Trek. Janice Lester didn't want to admit that Starfleet refused to let her be a captain of a starship because she was a nutjob, not because she was female

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Nice meaty reply, AmeriGirl. I agree with some while a few others I admit have their negatives, but they have enough highlights to make 'em worthwhile.

I didn't take "Who Mourns for Adonais?" insulting towards Christians. It was addressing Greek/Roman mythology: Technologically advanced space travelers — but otherwise quite ordinary humanoids — visited Earth many centuries ago and were accepted as gods by our primitive ancestors. The problem results when such idolized ordinary people start to believe their own press, as was the case with Apollo. This can be applied to has-been rock stars and celebrities.

Like you, I found "The Return of the Archons" dull, strange and unimpressive on my initial viewings years ago, but it's also fascinating from a psychological perspective. At first glance, the storytellers seem to be making light of Christianity. Landru is presented as a Christ-figure who desires to “absorb” (‘convert’) people into “the body” (‘the body of Christ’) and thus become “in Landru” (‘in Christ’). Those absorbed into Landru’s “body” worship him (at one point Sulu euphorically chants “Landru, Landru”) and act with an air of mindless, vacant contentment. Yet we should take into account pertinent evidence from other episodes and films: Roddenberry co-wrote “Bread and Circuses," a story that’s (surprisingly) open and friendly toward Christianity. Also consider Kirk’s statement in “Who Mourns for Adonais?” that the Federation “find The One (God) quite adequate” and The Companion’s statement in “Metamorphosis” regarding “the Maker of all things”; not to mention that the Enterprise crew really wanted to find God at the end of Star Trek V, although of course the entity turned out to be a charlatan. This evidence helps us conclude that the writers of "Archons" were criticizing cults or legalistic (counterfeit) “Christians” and not biblical Christianity. I find the criticism valid.

Lastly, I thought the healing scene in "A Private Little War" was powerful and hypnotic.

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Um...I would appreciate it if you didn't bring up "Star Trek V" with me. That movie stank so bad that it swept up the Razzies that year, and many of us Trek fans do not acknowledge that the movie exists. It was badly written, was not consistent with Star Trek lore, and was, as I said about Adonais, insulting towards Christians. Though you do make a good case for how some of the episodes were Christian-friendly in the dialogue or symbolism. That's more than I can say about Shitscovery.

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Isn’t the Purge movie series basically based on The Return of the Archons? I’ve never seen any of the movies but I remember the creator saying he got the idea from a Star Trek episode.

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How the hell could you leave "Spock's Brain" off this list?

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Scroll up to my responses to Keelai above for my commentary on that episode. Basically: That episode certainly had some dubious/goofy elements, but it managed to avoid being boring; it entertained. And entertainment is the name of the game.

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I'd like to cite Patterns of Force here. I'm not sure it's one of the absolute worst episodes, but it's basically a re-tread of A Piece of the Action (alien civilization completely obsessed with one culture on a niche period of 20th century Earth). The only difference (it was deliberately done) isn't enough to make it feel unique. The whole notion of wanting to make a society "efficient" and controlled and picking the Nazis, "Oh, I'll just leave out the bad stuff..." is ludicrous. That it could be botched is even stranger (how did you include the iconography? how did you leave *in* the racism!?). To top it all off, A Piece of the Action was done for comedy - which was pretty fresh in the otherwise fairly serious Star Trek (I know, I know, it has jokes, there's a corniness - but APotA was intentionally a comedy premise, which is different). Aside from Trouble with Tribbles, I think it's the only one.

For all those reasons, I'm gonna say A Piece of the Action wasn't a good show.

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"I, Mudd" is another overtly comedic episode and more entertaining compared to "A Piece of the Action" IMHO.

I appreciate that "Patterns of Force" asks the question of how Nazism got past the lunatic fringe and took root amongst the common populace. In other words, how did sane, decent folks come to embrace such BS? A similar thing is budding in America today with the lunacy of radical Leftwing fascism where a small percentage of the populace is attempting to force the masses into submission, e.g. the idea that there are hundreds of genders or that masculinity is intrinsically toxic (rolling my eyes).

Despite the serious nature of the subject matter in "Patterns," the creators were able to spice the story with a few quality amusing moments.

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I dig H.F. Mudd. He's the right level of campy. You're right, "I, Mudd" was played for laughs.

I'll agree that Patterns of Force isn't without merit. I did say it wasn't "the worst". I appreciate what they were trying to do, there was just too much stuff that got in the way for me. I don't think it did a really good job of showing how Nazism could become embraced by the general population.

Far better might have been to show a Federation colony that was having trouble. The Enterprise shows up to investigate and discovers a Nazi-like society (without the literal uniforms). Turns out the base had some The Thing-style alien (or Invasion of the Body Snatchers - more contemporary to Star Trek) that mimics humans. Kirk and Spock encounter fascism bred from suspicion and paranoia.

The double-twist could be that the alien isn't monstrous, but just comes across that way. The aliens were morphing into people to try and communicate.

We could certainly use a Star Trek or Twilight Zone SF show that could investigate the submission of the populace to Political Correctness.

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Those would be good ideas for Star Trek novels.

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You don't have a publishing connection by any chance, do ya?

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If you have a manuscript, look into submitting it to Simon & Schuster (Pocket Books).

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"Miri" and "And The Children Shall Lead" are 2 of the worst (for me). I know it's because of the kids in these 2 Episodes. Aside from the Kids, the Shows have some really good moments.

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Like you (Wuchak), I've never been a Fan of the Lazarus Episode. BUT, I'm gonna give it another look today and see if I can see it in a different point of view..............

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I tried... many times.

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LOLOLOL ......... I'll probably be saying the same thing soon.

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Other than the location shooting at Vasquez Rocks, which was always good, there are very few highlights. There aren't even any notable lines of dialogue (which even the worst episodes usually have).

Although the story itself is lousy, Robert Brown does a fine job as Lazarus (even though his beard is really irritating); especially considering the fact that he had to start work the same day he was hired because the original actor slated for the role, John Barrymore Jr., didn’t show up! A grievance was rightly filed against Barrymore Jr. by the production team resulting in the actor not being able to find acting work for many years. The replacement of Barrymore and other last-minute changes probably account for the low quality of this particular installment. One of these changes involved the cutting of an interracial entanglement between Lazarus and Lt. Charlene Masters (Janet MacLachlan) that had to be replaced with other footage; this would explain the annoying redundancy of some of the material -- it was literal filler.

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Just finished watching it again. TBH, I liked it better this time. The Acting of and Interplay between Shatner and Nimoy in this is great. You're correct on Brown's Beard. Some Scenes it's wispy thin .... MUCH more so than other Scenes.

While this'll never get into my Top 50 Episodes, I do indeed like it better now.

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Me too, but only out of necessity. I'm old enough to have had but 6 or 7 channels available on our TV before cable when I was a kid, so watching Star Trek re-runs in the late 60s and early 70s meant watching Lazarus a dozen or more times. Never grew on me.

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I always liked the Requiem For Methuselah episode. The idea of an immortal Earthman worked for me and Louise Sorel was a big, nay enormous, plus.

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