Those "philosophical discussions" (or "intellectual conversations") have nothing to do with those times (60's? 70's?). They instead have to do with the family being "upper class" and "cultured" (and a bit "snobbish"). There are some similar individuals in the circles of similar families nowadays.
("Philosophical discussions" _between_ what we'd now call "hippies" are a completely different, unrelated thing, more like "bull sessions on steroids". Such things aren't shown or even alluded to in this film. And they didn't sound much like that.)
IMHO, the parts of the movie that are tied to the context of that particular period of time are: 1) the extreme alienation of more than a few young people, and 2) blatant ruptures between young people and the families they grew up in.
Themes that are just as current now as they were then include: not really fitting anywhere even though one "knows" more than one class, and the idea that not loving anything has the effect of pronouncing a death sentence on oneself.
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