MovieChat Forums > A Passage to India (1985) Discussion > Better without Sir Alec ...

Better without Sir Alec ...


He seems an odd choice to be playing an aged Hindu holy man. India has (and had, then) many excellent actors. The only reason I can think of why David Lean chose Alec Guinness was personal affection - in which case the "trivia" comment about them rowing seems out of place.

Any one know the story? I remember when the film came out this was also commented on.

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From what I've heard, Alec was actually quite hesitant about taking the role, but Lean eventually convinced him. My guess is that they must have had a fairly strong friendship and that was why Lean wanted Alec in the role.

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i thought he was great...i only found out it was alec guinness at the end. he reminded me of one of my uncles.

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I have red that they didn't get along on the set and that a lot of Guinness's scenes were left out in the cutting room. When the actor saw the final result he was angry and never talk to Lean again.


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I didn't care for him in that role-there were so many non-British actors that would have been more convincing. I know he was a great actor, just not in that part. I loved the film otherwise.

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Other actors aren't marketable. Alec Guiness was going to draw a few more people in than a no-name Indian and it provided some diversity to his resume. How many British actors can say that they portrayed Oliver Twist, Hitler AND a Hindu Holyman.

www.examiner.com/x-3877-dc-film-industry-examiner

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was alec guness really all that marketable in 1984? i got the impression that while he was beloved by one generation of film lovers who came up on his epic performances of previous decades and maintained a regular presence on bbc productions, what was his marketability in the u.s. by 1984?

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Have you ever heard of Ben 'Obi-wan' Kenobi?

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Obi-Wan Kenobi?? Obi-Wan.... That's a name I've not heard in a long time. A long time.

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Of course A Passage to India was made a long time ago as well. Alec Guinness was still a well known actor in 1984, after all his best known films were from only 20-30 years before! Arnold Schwarzenegger and Harrison Ford are both in the same category today.

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I have red that they didn't get along on the set...

Yeah, I have "red" that somewhere too. But where? Oh, that's right. It's right there on the main page taken from the TRIVIA section!

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Guinness and Lean actually had a very antagonistic relationship throughout their lives. They argued often, and quite vehemently, on how to play Guinness's characters in the various films (Bridge on the River Kwai being the most pointed example, but hardly the only one). They didn't have any great affection for one another, merely a great deal of respect for each other's abilities.

A big reason for their feud was because of Great Expectations. Guinness had written the stage adaptation of GE which Lean had seen, inspiring him to make the film. Lean invited Guinness - who had done very little film work up to that point - to appear in his film of GE, and shortly thereafter Guinness became a star due to Oliver Twist and the Ealing films. Thus, Lean always claimed credit for Guinness's film career - something Guinness resented immensely, and sometimes Guinness even claimed credit for LEAN'S career, since GE had been based on his stage play of the novel (this is inaccurate, since Lean had made quite a few films prior to GE - but that's irrelevant). Guinness also seemed to think Lean was an egomaniac, and to be fair, Lean, although charming and friendly on a social and private level, was by all accounts a conceited, obsessive bastard while actually in the process of making a film (although Guinness was hardly innocent of arrogance and self-importance himself). And yet, they seemed to respect each other a great deal - but there wasn't any real friendship there. They never saw each other when not working on films (Guinness, if not Lean, was quite a social butterfly and stayed in touch with every colleague he was even remotely friendly with) and often went years without speaking to or contacting one another.

In Piers Paul Read's biography of Guinness, he indicates that Guinness wanted the part of Godbole, but played a sort of hard-to-get with Lean about it. He had reluctance at playing an Indian, but Guinness indicated to Lean that he DID want to play it. However, he threw his weight around and started making certain demands - I don't remember most of them, but it seems Guinness pretty much forced Peggy Ashcroft (his close friend from their days in the Old Vic) on Lean for Mrs. Moore, when Lean had wanted Ceilia Johnson for the part. Lean got his revenge on Guinness by making Godbole (depicted by Forster as light-complected, almost Caucasian in appearance) a dark-faced caricature. He also cut out a lot of Guinness's scenes, including a lengthy Hindu dance which Guinness had spent months practicing (although Guinness himself said it was probably a good idea to cut him out of the film).

I agree with you, more or less. I don't care for Sir Alec's performance, he looks and sounds like a muppet and among all the real Indians just seems out of place and silly. I wouldn't say it's racist, just a bad casting job by Lean.

Stone, you can watch me or you can join me. One of them is more fun.

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wish i didn't just read this. i really admire both guinness and lean and have been giving sir alec's lesser seen (at least here in the u.s.) smiley mini-series'a watch as a result of the release of 'tinker, tailor'and was just knocked out by the subtlety of his portrayal. this petty crap, although i have no doubt of its truth, is a pity.

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I found it very distracting and pretty hard to take it seriously. How is it anything other than racist? Especially since it's a British film - they'd have tons of Indian actors to choose from. Very culturally insensitive. Just like the casting of Jonathan Pryce in Miss Saigon...

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Its one thing having white actors blacking up in the 1950s and 1960s but in 1984 after the success of Gandhi it looks horrible.

Then again Steven Spielberg is no better by getting an anti Muslim Welshman to play an Arab!

Its that man again!!

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I've heard at least as often that the problem with the dance was the exact other way round - that Guinness absolutely refused to undertake a dance despite Lean's view of its importance to the resolution.

I also seem to recall that Celia Johnson wasn't available anyway.

In short, as per usual with these things, there are pretty different versions floating about depending on who you listen to.

But either way it's certainly universally agreed that Lean and Guinness bitched, moaned and wrangled with each other throughout their work together and yet time after time were drawn together for another attempt to produce an outstanding movie - attempts which were usually successful.

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It's usually an insult to have a white actor playing blackface- "Indianface" in this case?- but Sir Guinness is absolutely UNRECOGNIZABLE here. It wasn't until the credits rolled that I discovered who he played in the movie. One of the few times a white actor playing a non-white actually pretty much worked.

However, I agree that it might have been better to cast an Indian. With so many fine Indian actors, there's no reason to hire an English one, even one as amazing as Alec Guinness.

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I do not know if any Indian commented here, I'm one. And to me, the first scene where Alec shows up as a staunch brahmin itself failed him in the part. He was definitely RECOGNIZABLE to me; sorry, there's no way he looked an Indian. His make up, accent, and dialog delivery were all plain wrong. Save for this, I'd have given the movie 10.

As you rightly said, there was no reason to hire an English for that role; the movie would have been perfect.

Cheers!

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"I do not know if any Indian commented here, I'm one."


...ok, here's another.

IMHO, too much fuss is being made of him playing a non-white/Indian...why, he played an Arab (Prince Faizal) convincingly in 'Lawrence of Arabia')....Peter Sellers has convincingly played an Indian in the howlarious "The Party' (cannot imagine anyone else in that role).

On the other hand, an Indian actor from this film, Roshan Seth, has played a Russian quite convincingly in 'Stalin'.

In the end, it isn't IMHO about ethnicity and skin color, but acting ability. For instance, Shirley McLane wasn't at all believable as the Indian pricness in 'Around the world in 80 days', but Sellers and Alec definitely were.

I loved Alec's performance in this film - and the way Lean used him almost like a McGuffin - given the script and the screenplay, how else could he (or anyone else) have played it?

To his credit, he holds his accent throughout the film and, in fact, sometimes better than Victor Banerjee who doesn't (Victor goes from a heavy Indian accent, at the beginning of the film to an almost flawless diction towards the end). And, I've seen that happening to the greatest of greats (Meryl Streep in 'Out of Africa', for instance).

Again, in the days of the Raj, many educated, upper class Indians spoke "propah" English.

Unfortunately, it seems to have become some kind of a mindset about what one is 'expected to see' in a film about Indians, and one does not feel 'comfortable' unless the Indian character(s) is shown to be speaking in a heavily flawed diction. I've been noticing this, of late, in American sitcoms as well.

(Usually, it is the South Indian accent which is passed off as the typical Indian accent that all Indians (on flims or off them) are supposed to speak in. But, as we know, there are many Indias within India, and therefore, many different ways in which English is "spoke".

I, for one, would like to look beyond just his accent and at his over-all portrayal of the role. His walk, mannerisms, gestures - general 'body acting' - is very authentic IMO.

In conclusion, I thought Alec as Godbole was, in the least, a very interesting cast.

...it's alright, Ma, if I can't please him

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Gone are the ancient days of cinema when a host of white men in blackface would play African natives, when Western actresses in heavy makeup played Chinese or Japanese ladies, when palefaces put on the warpaint and feathers to portray native Americans. I remember Laurence Olivier all brown-faced and turbaned, intoning the Arabic accent of the Mahdi in "Khartoum." Today, it is nearly heretical to eschew the real ethnics in movie roles. Heartily approving this, at first I was incensed to see Sir Alec heavily darkened and imitating an Indian accent. However, since there were Indians playing all the other roles, I decided, especially after reading the comments, that it would be hyperbolically PC and overly reactionary to deny actors the chance to play a great role for lack of being the proper race. As pointed out by andy roy, Roshan Seth did play Stalin. I would not bar that door of opportunity for the appropriate actor, provided that he or she does not appear ridiculous in the makeup. Now that is inclusive and non-racist.

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I knew it was him as soon as I heard him speak. He's got an unmistakeable voice.

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The best actor to play Godbole in this movie was Saeed Jaffey who had played the same character for a long time - off Broadway. As for Alec Guinness, he looks like a card board Brahmin in this film, as if Dilip Kumar is playing a white archbishop of Canterbury! It's ridiculous. This was not the only casting goof of Lean, Victor bannerjee is a hopelessly weak actor.

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It was a serious misjudgment by both Lean and Guinness. At the time critics were uneasy with the casting.

Its that man again!!

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Agree. Alec Guinness did the best he could but he was simply miscast.

Why not to rely on an Indian actor? Only David Lean knows why.

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Kevin Brownlow's fascinating biography of David Lean says that he felt he could not direct an Indian in the part 'as they come from a different school... they tend to exaggerate everything.' Like so many of Lean's comments, more than a little un-PC. Lean, who was old, incredibly moody and autocratic on the set had also had a lot of conflict with Bannerjee who (probably quite rightly) felt he was being made to act Aziz as 'an Englishman's idea of another Englishman's idea of an Indian'. I get the impression he plumped for Guinness out of familiarity, and because it had worked with Lawrence, and then possibly regretted it later. But he had great conflicts with all his actors.

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Was about to say that, because I've just finished reading that exact same book!

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From what I've heard over the years, there was not much personal affection between Sir Alec and David Lean. In fact they often did not get along at all. Lean liked doing things his way and Guiness had his own ideas, so not a good mix. David Lean did call Guiness his "good luck charm". But that was because since their first collaboration in Lean's first success "Oliver Twist", Lean felt that Guiness casting Guiness was added good luck for him. Of course too, Guiness being a great actor did not hurt at all either and indeed played a role in his being cast by Lean in all of his remaining films.

I do think thought that Guiness did a poor job with the role. He looked like a British man in bad make-up. And he just never got under the skin of the character. I know that a number of his scenes were cut out by Lean, but still as much as I love Alec Guiness this is the one film where I think he missed the mark. He would have been much, much better as "Turton". And the role of the Professor would have been much better played by any one of the great old Indian character actors that would have brought far more depth and legitimacy to the role. I think in this case, one really needed to have a real feel for the philosopy and mysticism of this ancient culture in order to pull it off.

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I do think thought that Guiness did a poor job with the role. He looked like a British man in bad make-up. And he just never got under the skin of the character.


Yes, and so it was difficult, if not impossible, to take his character seriously. A shame, because Guiness was a wonderful actor, and the character had so much potential.

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I could tell it was Obi Wan Kenobi by his voice. I was surprised because I thought he character was rather useless. If the entire movie was made without him in it, I wouldn't miss him. It's strange because Alec Guiness isn't one to play a minor role, but this is one of them. His role was completely unnecessary to me.

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I think Godbole was a kind of watcher, and as such, his very understated role seems to me to be a fit. It's like he was Father India watching the Brits doing life's misfires with a quiet and tolerant but slightly disapproving stance.

The "namaste" at the train station with his hands lifted high was his omen of what was to come, like he's saying, "You're all holy, everything is holy, I am acknowledging the God in all of you, but unfortunate stuff is about to happen, for which God will always forgive you, but take this gesture as a warning, if you please."

Such are the mental meanderings of an aging film buff doing his posts after midnight....

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I interpreted it as Godbole having sensed that Mrs. Moore was going to die and he was giving her his blessing as she figuratively moved away (and into the next life.) But I have no idea what Lean or Guinness intended the gesture to mean.

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>> [Godbole's] role was completely unnecessary to me. <<

You should explain that to E.M. Forster sometime. ;-)

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