Glimpsing Eli's Groin
There's been a fair amount of commentary about Alfredson's translation of Eli's gender ambiguity in the novel into the half-second glimpse of Eli's scarred groin. Some viewers apparently were not even sure what they were seeing, or believed that they were seeing normal female anatomy. (A dummy was used to film this part.) In the novel, dialogue between Oskar and Eli makes it fairly clear that Eli is anxious for Oskar to know that he's not really a girl, and what that means; he finally takes an opportunity after showering in Oskar's apartment to drop his bath towel and reveal himself to Oskar. Eli jokes about it in response to a Oskar's question, but this exchange then segues into Eli showing Oskar his castration through the medium of a kiss.
If you were directing LTROI, would you have handled this aspect of the story any differently? Potential choices could include:
- dropping the whole thing entirely, and let the audience believe that Eli's statements about "not being a girl" mean that she's not really human
- including further dialogue between the characters about Eli's condition to make the fact of the castration clear
- including some version of the flashback scene
Or, are you okay with the film as it is?
Personally, I am satisfied with how the thing was handled. Placing too much emphasis on it could have proved a too distracting for American audiences, and even seeing the half-second shot was enough to upset some. And I am not sure whether including more of Eli's backstory would have made the film any better.
Carve every word before you let it fall. - Oliver Wendell Holmes, Jr.