While I think you are mostly right, DrNaud does have a point in that the freedoms offered by just how bare bones content there is to adapt from a theme park ride is much more of a strength. Sometimes I feel like games proximity to film as a medium is one of the pitfalls game to movie adaptions have. As movie like some games are, they are still written around the medium they are based on (This includes how demographic heavy the game industry is and how less demanding people are on the plot of the game than a plot of a movie). Where as literature, comic books and even theme park ride adaptions requires some sort of vision to even translate the story, directors/ writers adapting video games can use the source material as crutch way too much.
But as to the main topic. One massive problem I have with this debate is that people begin to list games that they think good be adapted well. While I think some games would be easier than others, the bigger problems lie in the process of adapting the source material than the actual source material itself.
And IMO one of the biggest issues with process? Is that the process, especially these days is (much like the games industry itself) is hyper commercialized. In that most of these adaptions are being made to cash in on brand recognition than they are an attempt to genuinely attempt to make a quality film. People have mentioned getting a good director in, which yeah would be a good start, but the studios aren't interested in that. They aren't interested in getting a talented director who will go through the process of boiling down the source material and rebuilding it into something worth watching, especially with just how horribly that could go wrong and with how much money gets invested into these films, including the copyright.
And on the other hand, you have fans, which could either mean those working on the projector the fans that the studios who want to cater to that often latch on to unimportant surface details at the expense of what was core to the original experience, or fans latch onto some part of the core experience that is simply untranslatable, but still insist on trying to translate it. One of the big examples of this was Pyramid Head in the Silent Hill movies.
And as for fixing the curse? Well, IMO, there are two likely scenarios. One is that one studio will just get lucky one day. They will hire the right director for the right game to adaption (probably one with a game that's already highly cinematic). The other is a visionary director tackles a smaller game, boils it down to its core components, and most importantly rebuilds in his of her vision instead of just trying to recreate to gaming experience or cashing in on the success of the game. It will likely be something like a Silent Hill that takes the haunted town as a reflection of a personal demon and use that as a base for an entirely new story with new monsters. Or an AC movie that just drops the present day BS and just tells an historical politics drama. Or heck, there are even some great indie games that could be made into great art house films like Glitchhikers
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